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Semiotics for Screenwriters

Break Down Your Favorite Movies Then Write Your Own
Brief Description
You're trying to finish a screenplay, but there's a voice in your ear whispering, “You should know more about how cinema story works.” Perhaps you've heard how many successful screenwriters deconstruct or “break down” films and study them. You'd like to try this method but ask... Read More
Format: Paperback / softback
$5499
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Book Hero Magic formatted this description to make it easier to read. While it's new and still learning, it may not be perfect - your feedback is welcome! Description

You're trying to finish a screenplay, but there's a voice in your ear whispering, “You should know more about how cinema story works.” Perhaps you've heard how many successful screenwriters deconstruct or “break down” films and study them. You'd like to try this method but ask yourself, “How do I start?” Semiotics for Screenwriters can help you with this daunting task by taking you on a unique journey through three classic films—It’s a Wonderful Life, Lost in Translation, and Get Out—that shows you the hidden universal language of plot, character, and theme at work in them.

This method will reveal the mechanics of cinema story, then show you how to apply this knowledge to your own screenwriting. Semiotics is a powerful system of analysis applied in many fields, including literature and psychology. In this book, you'll learn to deploy this method to break down classic films and then apply it to writing, developing, and correcting your own screenplays.

Book Details

INFORMATION

ISBN: 9781501390999

Publisher: Bloomsbury Publishing Plc

Format: Paperback / softback

Date Published: 22 February 2024

Country: United States

Imprint: Bloomsbury Academic

Illustration: 50 bw illus

Audience: Professional and scholarly

DIMENSIONS

Spine width: 20.0mm

Width: 178.0mm

Height: 252.0mm

Weight: 780g

Pages: 408

About the Author

Michael Tierno is Professor Emeritus of Film and Video Production at East Carolina University, USA. He is the author of Location and Postproduction Sound for Low Budget Filmmakers (2020) and Aristotle’s Poetics for Screenwriters (2002). He is a narratologist, a former Miramax story analyst, and an award-winning writer and director of independent films, such as Through a Class Darkly (2016), Nocturne, the Girl Who Played Debussy (2010), and Auditions (1999).

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