Megan A. Sullivan

Radical Form offers a timely exploration into how abstract art in South America aimed to envision a better society. Emphasizing the open-ended and self-critical nature of the projects of abstraction in South America from the 1930s through the mid-1960s, this study focuses on the painting practices of Joaquín Torres-García, Tomás Maldonado, Alejandro Otero, and Lygia Clark. Megan A. Sullivan positions...