Marti Riera Ferrer

Coupling the grand guignol morality of Paul Schrader and Martin Scorsese's Taxi Driver (1976) with the squashed black-and-white perspectives and grotesque human physiognomy (and humanity) that defines Chester Gould's Dick Tracy, Marti's The Cabbie (starring the eponymous 'hero' known only as the Cabbie) was first published in instalments in 1980s Spain, a product of a life lived under, and coming...