Olga de Amaral

About the Author

Ann Coxon is Curator of International Art at Tate Modern, London. She has a long-standing interest and specialism in textile-based practices. Coxon curated the exhibition Magdalena Abakanowicz at Tate Modern in 2022, which traveled to the Musée cantonal des Beaux-Arts, Lausanne, Switzerland and the Henie Onstad Art Center, Høvikodden, Norway in 2023. She has curated numerous exhibitions and displays at Tate Modern, including Dorothea Tanning (2019), Anni Albers (2018), Beyond Craft (2017), Alexander Calder: Performing Sculpture (2015), and Saloua Raouda Choucair (2013). She has published two books: Motherhood (London: Tate Publishing, 2023) and Louise Bourgeois (London: Tate Publishing, 2010) and is currently writing a PhD thesis on textile art in Europe from 1960 to 1979.

María Wills Londoño is a Colombian art researcher and curator. Her major exhibition projects offer reflections on the unstable condition of the contemporary image and alternative views of urban themes in Latin America. She is head of the department of arts (museums and collections) of the Banco de la República in Bogotá since 2020. She curated several exhibitions across the world, including Urbes Mutantes (Museo de arte del Banco de la República, Bogota, 2013 / International Center of Photography, New York, 2014), Latin Fire. Otras fotografías de un continente (CentroCentro, Madrid, 2015), Fernell Franco Cali Clair-Obscur (Fondation Cartier pour l'art contemporain, Paris / Centro de la Imagen, Mexico, 2016), The Life of Things (Momenta Biennale de l'image, Montreal, 2019), and Sembrar la duda: indicios sobre las representaciones indígenas en Colombia (Museo de Arte Miguel Urrutia - MAMU, Bogotá, 2023). She is the author of The Four Evangelists: Consolidation Process of Exhibition Curating in Colombia (Barcelona: Editorial Planeta) published in 2018.

Marie Perennès is curator at the Fondation Cartier pour l'art contemporain in Paris.