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William Blake

Dante’s ‘Divine Comedy’. The Complete Drawings
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( 260 ratings, 26 reviews)
Book Hero Magic crafted this summary to help describe this book. While it's new and still learning, it may not be perfect - your feedback is welcome! Summary
William Blake showcases the Romantic poet and artist's 102 illustrations for Dante Alighieri's The Divine Comedy, uniting artworks previously scattered across institutions. Blake's drawings interpret Dante's epic journey through Hell, Purgatory, and Heaven, blending fidelity to the text with his unique vision. This edition includes key excerpts from Dante’s masterpiece and essays on the influence of The Divine Comedy on major artists such as Botticelli, Michelangelo, and Rodin.
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Format: Hardback
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Book Hero Magic created this recommendation. While it's new and still learning, it may not be perfect - your feedback is welcome! IS THIS YOUR NEXT READ?

Ideal for enthusiasts of art and literature, particularly those interested in Romantic poetry, Dante's epic, and classical illustration. Suitable for scholars, art collectors, and readers who appreciate detailed visual and literary exploration of universal themes like love, guilt, and redemption.

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Discover William Blake's complete 102 illustrations for The Divine Comedy, with excerpts from Dante's epic poem. Featuring an intimate reading of Blake's extraordinary works and many close-up details, this is a breathtaking encounter with two of the finest artistic talents in history, as well as with such universal themes as love, guilt, punishment, revenge, and redemption.

Book Hero Magic formatted this description to make it easier to read. While it's new and still learning, it may not be perfect - your feedback is welcome! Description

Celebrated around the world as a literary monument, The Divine Comedy, completed in 1321 and written by Dante Alighieri (1265-1321), is widely considered the greatest work ever composed in the Italian language. The epic poem describes Dante's journey through Hell, Purgatory, and Heaven, representing, on a deeper level, the soul's path towards salvation.

In the last few years of his life, Romantic poet and artist William Blake (1757-1827) produced 102 illustrations for Dante's masterwork, from pencil sketches to finished watercolours. Like Dante's sweeping poem, Blake's drawings range from scenes of infernal suffering to celestial light, from horrifying human disfigurement to the perfection of physical form. While faithful to the text, Blake also brought his own perspective to some of Dante's central themes.

Today, Blake's illustrations, left in various stages of completion at the time of his death, are dispersed among seven different institutions. This TASCHEN edition brings these works together again, alongside key excerpts from Dante's masterpiece. Two introductory essays consider Dante and Blake, as well as other major artists who have been inspired by The Divine Comedy, including Sandro Botticelli, Michelangelo, Eugène Delacroix, Gustave Doré, and Auguste Rodin.

With an intimate reading of Blake's illustrations, and many close-ups to allow the most delicate of details to dazzle, this is a breathtaking encounter with two of the finest artistic talents in history, as well as with such universal themes as love, guilt, punishment, revenge, and redemption.

Book Hero Magic summarised reviews for this book. While it's new and still learning, it may not be perfect - your feedback is welcome! HOW HAS THIS BEEN REVIEWED?

A work of devilish beauty, produced to the highest standard in kaleidoscopic colour and treasured by both lay readers and scholars. It is an invaluable resource and a lovely book to spend quality time with, praised by Grazia, The World of Interiors, and Dublin Review of Books.

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Book Details

INFORMATION

ISBN: 9783836568630

Publisher: Taschen GmbH

Format: Hardback

Date Published: 16 October 2017

Country: Germany

Imprint: Taschen GmbH

Audience: General / adult

DIMENSIONS

Spine width: 46.0mm

Width: 170.0mm

Height: 240.0mm

Weight: 1595g

Pages: 464

About the Author

After studying in Pavia, Bologna, and Geneva, Maria Antonietta Terzoli taught at the universities of Geneva and Zurich. Since 1991 she has been a professor at the University of Basel, where she is head of the department of Italian Studies. A philologist and interpreter of literary text, she specializes in Italian literature. Sebastian Schütze was a longtime research fellow at the Bibliotheca Hertziana (Max Planck Institute for Art History) in Rome. He is a member of the academic board of the Istituto Italiano per gli Studi Filosofici in Naples, and a member of the Österreichische Akademie der Wissenschaften. From 2003 to 2009 he held the Bader Chair in Southern Baroque Art at Queen’s University in Kingston. In 2009 he was appointed professor of early modern art history at Vienna University.

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