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Hazel Wilson

Glory and Exile
Book Hero Magic crafted this summary to help describe this book. While it's new and still learning, it may not be perfect - your feedback is welcome! Summary
Glory and Exile: Haida History Robes of Jut-ke-Nay Hazel Wilson presents the monumental ceremonial robes created by Haida artist Hazel Anna Wilson, also known as Jut-Ke-Nay. Comprising 51 large blankets adorned with painted and appliqued imagery, the robes blend traditional stories, autobiography, and commentary on events like smallpox epidemics and environmental destruction. This grand narrative honours the survival and resistance of the Haida people while challenging colonial histories of the Northwest Coast. The book includes essays, personal texts by Wilson, and contributions from family and Haida artists, illuminating the profound cultural significance of her work.
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Format: Hardback
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Book Hero Magic created this recommendation. While it's new and still learning, it may not be perfect - your feedback is welcome! IS THIS YOUR NEXT READ?

This book will appeal to readers interested in Indigenous art and history, fans of cultural storytelling, and those keen on understanding Haida traditions and resilience through visual and personal narratives.

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Book Hero Magic formatted this description to make it easier to read. While it's new and still learning, it may not be perfect - your feedback is welcome! Description

Glory and Exile: Haida History Robes of Jut-ke-Nay Hazel Wilson marks the first time this monumental cycle of ceremonial robes by the Haida artist Jut-Ke-Nay (The One People Speak Of)—also known as Hazel Anna Wilson—is viewable in its entirety. On 51 large blankets, Wilson uses painted and appliquéd imagery to combine traditional stories, autobiography, and commentary on events such as smallpox epidemics and environmental destruction into a grand narrative that celebrates the resistance and survival of the Haida people, while challenging the colonial histories of the Northwest Coast.

Of the countless robes Wilson created over fifty-plus years, she is perhaps best known for The Story of K'iid K'iyaas, a series about the revered tree made famous by John Vaillant's 2005 book The Golden Spruce. However, her largest and most important work is the untitled series of blankets featured here. Wilson always saw these works as public art, to be widely seen and, importantly, understood.

In addition to essays by Robert Kardosh and Robin Laurence, the volume features texts about each robe by Wilson herself; her words amplify the power of her striking imagery by offering historical and personal context for the people, characters, and places that live within her colossal work. Glory and Exile, which also features personal recollections by Wilson's daughter Kn Jaad Dana Simeon, her brother Allan Wilson, and Haida curator and artist Nika Collison, is a fitting tribute to the breathtaking achievements of an artist whose vision will help Haida knowledge persist for many generations to come.

Book Hero Magic summarised reviews for this book. While it's new and still learning, it may not be perfect - your feedback is welcome! HOW HAS THIS BEEN REVIEWED?

"Offers an in-depth and sensitive portrait of the artist as well as insights into survivance of Haida values and creative expression on the Northwest coast." – BC Studies

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Book Details

INFORMATION

ISBN: 9781773271170

Publisher: Figure 1 Publishing

Format: Hardback

Date Published: 21 October 2022

Country: Canada

Imprint: Figure 1 Publishing

Illustration: color photographs throughout

Audience: General / adult

DIMENSIONS

Spine width: 24.0mm

Width: 203.0mm

Height: 254.0mm

Weight: 250g

Pages: 224

About the Author

Robert Kardosh is the owner and director of Vancouver’s Marion Scott Gallery. A specialist in the field of Inuit art, he has written numerous catalogues and articles on some of the most important Inuit artists of our time. Along with his mother, the late Judy Kardosh, he worked closely with Hazel Wilson and her family as the artist’s dealer and representative for more than thirty years. He is a lifelong student of Haida culture. Robin Laurence is an award-winning independent writer, critic and curator based in Vancouver. For some three decades, she was the visual arts critic for the Georgia Straight and has been a contributing editor of both Border Crossings and Canadian Art. Her published work includes essays about art and artists in more than 60 books and exhibition catalogues, as well as reviews and features in numerous local, national, and international publications.

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