Kate Summerscale

Ever been struck dumb when speaking in public? You might be suffering from glossophobia. Do your book-buying habits verge on bibliomania? Do you recoil in arachnophobic horror at the sight of a spider - or twitch with nomophobia when you misplace your mobile phone? Our fears and compulsions often feel like part of our deepest selves - yet they're bound...

FROM BRITAIN'S TOP-SELLING TRUE CRIME WRITER WINNER OF THE CWA ALCS GOLD DAGGER FOR NON-FICTION A BOOK OF THE YEAR FOR: The Times/Sunday Times, Financial Times, Spectator, Independent, Tablet and New Statesman 'I loved it' Richard Osman 'Shattering' Val McDermid 'Gripping' Sarah Waters In 1953, the bodies of three young women are found by a tenant in the walls of...

SHORTLISTED FOR THE 2020 BAILLIE GIFFORD PRIZE ‘A page-turner with the authority of history’ PHILIPPA GREGORY ‘As gripping as a novel. An engaging, unsettling, deeply satisfying read’ SARAH WATERS London, 1938. Alma Fielding, an ordinary young woman, begins to experience supernatural events in her suburban home. Nandor Fodor – a Jewish-Hungarian refugee and chief ghost hunter for the International Institute...

FROM BRITAIN'S TOP-SELLING TRUE CRIME WRITER WINNER OF THE CWA ALCS GOLD DAGGER FOR NON-FICTION A BOOK OF THE YEAR FOR: The Times/Sunday Times, Financial Times, Spectator, Independent, Tablet and New Statesman 'I loved it' Richard Osman 'Shattering' Val McDermid 'Gripping' Sarah Waters In 1953, the bodies of three young women are found by a tenant in the walls of...

WINNER OF THE SAMUEL JOHNSON PRIZE FOR NON-FICTION THE NUMBER ONE BESTSELLER A RICHARD AND JUDY BOOK CLUB PICK 'A classic' John le Carré 'Nothing less than a masterpiece' Craig Brown, Mail on Sunday 'Absolutely riveting' Sarah Waters, Guardian 'Terrific' Ian Rankin 'A triumph' Observer On a summer’s morning in 1860, the Kent family awakes in their elegant Wiltshire home...

_______________ WINNER OF THE SAMUEL JOHNSON PRIZE FOR NON-FICTION THE NUMBER ONE BESTSELLER A RICHARD AND JUDY BOOK CLUB PICK _______________ 'A remarkable achievement' - Sunday Times 'A classic, to my mind, of the finest documentary writing' - John le Carré 'Absolutely riveting' - Sarah Waters, Guardian _______________ On a summer’s morning in 1860, the Kent family awakes in their...