Marvel Comics Library

Their collaboration on Spider-Man couldn't last forever, but the five-year partnership between Stan Lee and Steve Ditko lasted long enough for their character to evolve into a timeless icon and create a fandom that would endure for generations. TASCHEN's second volume of Amazing Spider-Man stories collects the latter half of the duo's magnum opus, featuring brand new arch-villains such as the Scorpion, Molten Man, and the Crime-Master. It also includes return engagements with Kraven the Hunter and the Green Goblin, along with the three-part "Master Planner Saga" that reignited a feud with an iconic mystery villain and is acclaimed by many comics critics as the greatest superhero story of all time.

Beyond the action that Spider-Man faced—choreographed with aplomb by the master stylist Ditko—there was also the matter of Peter Parker's maturation during a decade of social upheaval and change. With Stan Lee's blend of soap opera melodramatics and acute social sensitivities, Peter graduated from high school to college and began to deal with a myriad of adult struggles, mirroring the life experiences of the book's readership. No longer a scrawny teenager, Lee and Ditko expanded his network of friends and frenemies, debuting characters like Gwen Stacy, Harry Osborn, and, through a series of hilarious cameos, Mary Jane Watson—characters that would develop into one of the deepest and most substantive supporting casts in all of comics. Also introduced is Harry's father, Norman Osborn, the short-tempered industrialist who would later be revealed as Spider-Man's most dreaded foe. Meanwhile, Peter's tumultuous romance with Betty Brant reaches its culmination, with both characters forever changed.

Collected in an XXL-size volume that closely simulates the size and proportions of the original comic artboards, all individual issues have been sourced from the collection of Bob Bretall, holder of the Guinness World Record for the largest comics collection. Bretall's pedigreed collection has been photographed using TASCHEN's sterling reproduction methods, resembling the way these comics first looked when published in 1965 and 1966. They have also been digitally remastered using modern retouching techniques to correct problems with the era's inexpensive, imperfect printing. A custom paper stock was exclusively developed for this series to simulate the newsprint feel and colour holding of the original comics. The Marvel Comics Library has earned well-deserved acclaim from comic collecting diehards for combining an old-school comic book reading experience with a luxurious oversized book format, winning the industry's coveted Eisner Award for Best Publication Design.

Complementing the comics is an incisive and often side-splitting essay by British TV and radio host Jonathan Ross. Accompanying his essay is a gallery of original art, photographs, rarities, and other ephemera from the era.

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