Joel Mayward

Upon the release of Sufjan Stevens’ seventh studio album, Carrie & Lowell, two divergent groups found themselves as strange bedfellows: the LGBTQIA+ community and American evangelical Christians. Both were united in praise for Stevens’ beautifully melancholic music. Critically acclaimed as one of the best albums of 2015, the elegiac and intimate record about the death of Sufjan’s estranged mother reflects...