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Australian Artists in the Contemporary Museum

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Australian Artists in the Contemporary Museum offers a fresh perspective on the evolving relationship between artists and museums in Australia. It highlights how the museum has historically been intertwined with colonial narratives and explores how contemporary artists engage with these institutions beyond traditional fine art museums. The book focuses on artists intervening in non-art museums through curatorial roles, artworks critiquing taxonomic displays, and rethinking collection aesthetics to reshape how history and objects are interpreted, aiming to bridge museums more closely with their publics.
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Format: Hardback
$31800
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Book Hero Magic created this recommendation. While it's new and still learning, it may not be perfect - your feedback is welcome! IS THIS YOUR NEXT READ?

This book is ideal for scholars, students, and professionals in contemporary art, museum studies, and art history. It will appeal to artists, curators, museum and gallery professionals, postgraduate researchers, and educators interested in innovative museum practices and post-colonial perspectives on art institutions.

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In Australia, the artist's engagement with the museum is traditionally regarded as having an important role in the colonial project but, as times have changed, the post-colonial viewpoint has come to the fore.

Book Hero Magic formatted this description to make it easier to read. While it's new and still learning, it may not be perfect - your feedback is welcome! Description

This unique book proposes a re-reading of the relationship between artists and the contemporary museum. In Australia in particular, the museum has played a significant role in the colonial project and this has generally been considered as the predominant mode of artists' engagement with such institutions and collections. Australian Artists in the Contemporary Museum expands the post-colonial frame of reference used to interpret this work, to demonstrate the broader implications of the relationship between artists and the museum, and thus to offer an alternative way of understanding recent contemporary practices.

The authors' central argument is that artists' engagement with the museum has shifted from politically motivated critique taking place in museums of fine art, towards interventions taking place in non-art museums that focus on the creation of knowledge more broadly. Such interventions assume a number of forms, including the artist acting as curator, artworks that highlight the use of taxonomic modes of display and categorization, and the re-consideration of the aesthetics of collections to suggest different ways of interpreting objects and their history. Central to these interventions is the challenge to better connect the museum and its public.

The book will be essential reading for scholars, professionals, and students in the fields of contemporary art and museum studies, art history, and in the museum sector. These include artists, curators, museum and gallery professionals, postgraduate researchers, art historians, designers and design scholars, art and museum educators, and students of visual art, art history, and museum studies.

This project has been assisted by the Australian government through the Australia Council for the Arts, its arts funding and advisory body.

Book Details

INFORMATION

ISBN: 9781409442493

Publisher: Taylor & Francis Ltd

Format: Hardback

Date Published: 23 July 2014

Country: United Kingdom

Imprint: Routledge

Audience: General / adult, Tertiary education

DIMENSIONS

Width: 174.0mm

Height: 246.0mm

Weight: 620g

Pages: 180

About the Author

Jennifer Barrett is associate professor in Museum Studies in the Faculty of Arts and Social Sciences at the University of Sydney and Jacqueline Millner is senior lecturer in Critical Studies at Sydney College of the Arts, University of Sydney.

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