Jean-Michel Réveillac

For decades performers, instrumentalists, composers, technicians and sound engineers have continued to manipulate sound material. They are trying, with more or less success, to create, innovate, improve, enhance, restore or modify the musical message. The sound of the distorted guitar of Jimi Hendrix, Pierre Henry’s concrete music, Pink Floyd’s psychedelic rock, Kraftwerk’s electronic music, Daft Punk, and rap by T-Pain,...