J Hoberman

Comparable to Paris in the 1920s, 1960s New York City was a cauldron of avant-garde ferment and artistic innovation. Boundaries were transgressed and new forms created. Drawing on interviews, memoirs, and the alternative press, Everything Is Now chronicles this collective drama as it was played out in coffeehouses, bars, lofts, storefront theatres and ultimately the streets. The principals are penniless...