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Thinking through Craft

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( 117 ratings, 7 reviews)
Book Hero Magic crafted this summary to help describe this book. While it's new and still learning, it may not be perfect - your feedback is welcome! Summary
In Thinking through Craft, Glenn Adamson explores the vital role of craft in contemporary visual arts, challenging the common perception of craft as inferior to art. Drawing on historical case studies from architecture, design, and contemporary art, the book examines key themes such as skill, sensuality, and amateurism to reveal craft's nuanced position in art history and criticism. Co-published with the Victoria and Albert Museum, London, this book is an essential introduction to understanding how artists consider and incorporate craftsmanship in their work.
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Format: Paperback / softback
$5000
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Book Hero Magic created this recommendation. While it's new and still learning, it may not be perfect - your feedback is welcome! IS THIS YOUR NEXT READ?

Ideal for readers interested in crafts, visual arts, art history, and cultural criticism, especially those seeking a deeper understanding of craftsmanship’s evolving role within contemporary and modern art contexts.

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Book Hero Magic formatted this description to make it easier to read. While it's new and still learning, it may not be perfect - your feedback is welcome! Description

Co-published in association with the Victoria and Albert Museum, London.

This book is a timely and engaging introduction to the way that artists working in all media think about craft. Workmanship is key to today's visual arts, when high ‘production values’ are becoming increasingly commonplace. Yet craft’s centrality to contemporary art has received little serious attention from critics and historians.

Dispensing with clichéd arguments that craft is art, Adamson persuasively makes a case for defining craft in a more nuanced fashion. The interesting thing about craft, he argues, is that it is perceived to be 'inferior' to art.

Thinking through Craft consists of an overview of various aspects of this second-class identity - supplementarity, sensuality, skill, the pastoral, and the amateur. It also provides historical case studies analysing craft's role in a variety of disciplines, including architecture, design, contemporary art, and the crafts themselves.

Thinking through Craft will be essential reading for anyone interested in craft or the broader visual arts.

Book Hero Magic summarised reviews for this book. While it's new and still learning, it may not be perfect - your feedback is welcome! HOW HAS THIS BEEN REVIEWED?

'Adamson offers a fresh and sophisticated perspective on hand-crafted objects, reinvigorating post-war art history,' praises Thomas Crow from NYU. Pennina Barnett of Goldsmiths College highlights his engaging and lucid writing, while Modern Painters commends the book as a highly original and thoughtful contribution. Elissa Auther calls it 'pathbreaking,' and Maria notes its potential to inspire radical new thinking about craft and fine art.

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Book Details

INFORMATION

ISBN: 9781350092631

Publisher: Bloomsbury Publishing PLC

Format: Paperback / softback

Date Published: 01 October 2018

Country: United Kingdom

Imprint: Bloomsbury Visual Arts

Illustration: 44 bw and 16 colour illustrations, biblio, index

Audience: Tertiary education

DIMENSIONS

Spine width: 14.0mm

Width: 168.0mm

Height: 242.0mm

Weight: 480g

Pages: 224

About the Author

Glenn Adamson is Deputy Head of Research and Head of Graduate Studies at the Victoria and Albert Museum, where he leads a graduate program in the History of Design. He holds degrees in Art History from Cornell University (BA) and from Yale University (PhD).

Dr. Adamson was previously curator at the Chipstone Foundation, and in that capacity prepared exhibitions at the Milwaukee Art Museum and taught Art History at the University of Wisconsin-Madison. He is the co-editor (with Tanya Harrod and Edward S. Cooke, Jr.) of the Journal of Modern Craft, the only academic journal in the subject area, which will launch in March 2008.

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