Gerhard Steidl

Kassel, documenta 1977. A pump driven by two strong motors forces two tons of honey over a 17-metre-high pipe into a network of tubes that traverses the rooms of the Fridericianum Museum. This was the core of Joseph Beuys' Free International University for Creativity and Interdisciplinary Research, which he brought to life at documenta 6. Around his Honeypump in the...

In early 1974, Joseph Beuys, Klaus Staeck, and Gerhard Steidl sat in a Boeing 747 from New York to Düsseldorf, returning home after Beuys' American tour. The trip had been a controversial success, and its every stage was carefully documented by Staeck and Steidl in videos, photographs, and audio—their trusty Sony TC-50 cassette recorder was always at Beuys' side during...

Through the Lens of Faith is Caryl Englander's original and affecting visual archive of witnesses of the Holocaust, presented alongside conversations exploring their diverse belief systems. Englander photographed them during emotive moments of interviewing over the past three years. The resulting portraits encapsulate mnemonic tensions between an unmasterable past and the present. Englander photographed intense discursive encounters during which writer...

John Gossage, the renowned American photographer and photography book-maker, presents two companion volumes and his first ever books in colour. Engaged in a dance, neither book comes first, there is no hierarchy or sequence to the pair of volumes. Gossage is one of the most literary of photographic book authors and in The Thirty-Two Inch Ruler, the narrative, whilst not...

Silent Cities presents Mat Hennek's portraits of some of the world's great cities—from New York, Los Angeles and London, to Tokyo, Munich and Abu Dhabi—yet all curiously lacking people. Conceived and constructed by man as vessels for human activity, these metropolises are transformed by Hennek into monuments of silence: empty, sometimes eerie sites for rituals of work and recreation that...

The dominant colour in Orhan Pamuk: Orange is orange. When the Nobel Prize-winning novelist finishes with a day's writing, he takes his camera and wanders through Istanbul's various neighbourhoods. He often explores the backstreets of his hometown, areas without tourists, spaces that seem neglected and forgotten, washed in a particular light. This is the orange light of the windows and...