Pygmalion
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Pygmalion
Shaw's dramatization of a Cockney flower girl's metamorphosis into a lady is both a fantasy and a platform for his views on social class, money and women's independence.
Pygmalion both delighted and scandalised its first audiences in 1914. A brilliantly witty reworking of the classical tale of the sculptor Pygmalion, who falls in love with his perfect female statue, it is also a barbed attack on the British class system and a statement of Shaw's feminist views.
In Shaw's hands, the phoneticist Henry Higgins is the Pygmalion figure who believes he can transform Eliza Doolittle, a cockney flower girl, into a duchess at ease in polite society. The one thing he overlooks is that his 'creation' has a mind of her own.
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Pygmalion by George Bernard Shaw is celebrated for its insightful exploration of social themes, with critics highlighting Shaw's ability to balance humour and intellectual depth. Thomas Mann credits Shaw with elevating social maturity, while Michael Holroyd admires his relentless challenge of conventional views. The Sunday Times laments the absence of Shaw's clarity and wit in contemporary discourse, and The Independent praises his genius, likening him to Tolstoy. The Daily Mail emphasises the enduring relevance and popularity of his plays, noting their engaging debates on diverse issues.
Book Details
INFORMATION
ISBN: 9780141439501
Publisher: Penguin Books Ltd
Format: Paperback / softback
Date Published: 30 January 2003
Country: United Kingdom
Imprint: Penguin Classics
Contributors:
- Introduction by Nicholas Grene
Audience: General / adult
DIMENSIONS
Spine width: 10.0mm
Width: 129.0mm
Height: 199.0mm
Weight: 113g
Pages: 144
About the Author
Dublin-born George Bernard Shaw (1856-1950) was an active Socialist and a brilliant platform speaker. He was strongly critical of London theatre and closely associated with the intellectual revival of British drama. Dan H. Laurence has edited Shaw's COLLECTED LETTERS and COLLECTED PLAYS with their Prefaces. He was Literary Advisor to the Shaw Estate until his retirement in 1990. Nicholas Grene is Professor of English at the University of Dublin.
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