Iphigenia in Splott
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Iphigenia in Splott
‘What gets me through is knowing I took this pain, and saved all of you from suffering the same.’
Stumbling down Clifton Street at 11:30 a.m. drunk, Effie is the kind of girl you'd avoid eye contact with, silently passing judgement. We think we know her, but we don't know the half of it. Effie's life spirals through a mess of drink, drugs and drama every night, and a hangover worse than death the next day—till one night gives her the chance to be something more.
This powerful new adaptation of the enduring Greek myth drives home the high price people pay for society’s shortcomings.
Winner of Best New Play at the UK Theatre Awards 2015
Series: Modern Plays
View allBook Hero Magic summarised reviews for this book. While it's new and still learning, it may not be perfect - your feedback is welcome! HOW HAS THIS BEEN REVIEWED?
A furious and cutting play, Iphigenia in Splott is praised as a razor-sharp, witty script full of raw emotion, capturing the mood of today's society. It is described as tense, moving, and a powerful call for social revolt, delivering perfect theatre that is intelligent, relevant, and deeply affecting. Critics highlight its unpredictable plot and emotional impact, making it a stirring and memorable experience.
Book Details
INFORMATION
ISBN: 9781350298866
Publisher: Bloomsbury Publishing PLC
Format: Paperback / softback
Date Published: 24 March 2022
Country: United Kingdom
Imprint: Methuen Drama
Audience: General / adult, Professional and scholarly
DIMENSIONS
Spine width: 8.0mm
Width: 128.0mm
Height: 196.0mm
Weight: 83g
Pages: 80
Collections
About the Author
Welsh playwright Gary Owen is a past winner of the Meyer Whitworth, George Devine and Pearson best play awards. In June 2015 he made his Royal Court debut with Violence and Son. His other plays include Love Steals Us from Loneliness, Crazy Gary’s Mobile Disco, The Shadow of a Boy, The Drowned World (winner Fringe first), Ghost City, Cancer Time, SK8, Big Hopes, In the Pipeline, Blackthorn, Mary Twice, Amgen, Broken, Bulletproof, The Ugly Truth and Free Folk. His adaptations include Spring Awakening and Ring, Ring, a new version of La Ronde for the Royal Welsh College of Music and Drama and Dicken’s A Christmas Carol for Sherman Cymru. He is a Creative Associate at Watford Palace Theatre, where his plays We that Are Left, Mrs Reynolds and the Ruffian, and Perfect Match have been produced.
Also by Gary Owen
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