Gabriel T. Saxton-Ruiz

At the dawn of the 21st century, the New York City indie rock scene emerged as a beacon of artistic innovation, capturing widespread attention. Within this vibrant milieu, Interpol’s second album, Antics, stands out as a landmark release. Released in 2004, Antics initially received a spectrum of responses—acclaimed by fans yet somewhat dismissed by critics. Nevertheless, time has favoured Antics,...