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Women Musicians, Gender-Based Violence, and the Popular Music Industry
Brief Description
2026 PROSE Award Finalist in Music & The Performing Arts This book explores gender-based violence within the music industry, and how women who have experienced violence represent it in their music. Using the key case studies of music by Kesha, Lingua Ignota, and Alice Glass, as... Read More
Format: Paperback / softback
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Uncovers the implications and consequences of gender-based violence in the music industry through the responses of Kesha, Alice Glass, and Lingua Ignota via their music and media.

Uncovers the implications and consequences of gender-based violence in the music industry through the responses of Kesha, Alice Glass, and Lingua Ignota via their music and media.

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2026 PROSE Award Finalist in Music & The Performing Arts

This book explores gender-based violence within the music industry, and how women who have experienced violence represent it in their music.

Using the key case studies of music by Kesha, Lingua Ignota, and Alice Glass, as well as many other examples from across the musical landscape, the book examines how the artists represent their experiences of gender-based violence in their music, lyrics, and music videos; how they narrate and describe their experiences; how they incorporate these experiences into their public personas; and how the music industry itself might be facilitating or perpetuating the violence.

The analysis sheds light on how survivors construct their experiences, and how the songs and videos inscribe new understandings of gender-based violence. The book argues that men’s control of women’s creativity can be considered a form of musical abuse, and that through its structures and systems, the music industry itself can be classed as inherently abusive. And yet, women musicians can sing back to the violence they’ve experienced and create powerful new representations that have the potential to change the way we listen to music, if we are prepared to develop our feminist ears.

Unsilenced by Dr. Bianca Fileborn, Dr. Catherine Strong, Dr. Rosemary Lucy Hill is an important contribution to discussions around the intersection of music and gender-based violence, offering a new perspective on how music can be both a site of violence and a powerful medium for resistance and change.

Book Details

INFORMATION

ISBN: 9798765101742

Publisher: Bloomsbury Publishing Plc

Format: Paperback / softback

Date Published: 06 February 2025

Country: United States

Imprint: Bloomsbury Academic

Audience: Tertiary education

DIMENSIONS

Spine width: 10.0mm

Width: 152.0mm

Height: 228.0mm

Weight: 235g

Pages: 160

About the Author

Rosemary Lucy Hill is an independent scholar, formerly of the University of Huddersfield, UK. She is the author of Gender, Metal and the Media: Women Fans and the Gendered Experience of Music (2016) and many articles about feminism, music and big data. She is the co-series editor of Advances in Metal Music and Culture. She is the lead vocalist in a feminist folk metal band and currently writing her first novel.

Bianca Fileborn is an Associate Professor in Criminology, School of Social and Political Sciences at the University of Melbourne, Australia. Their work is broadly concerned with interrogating the intersections of identity, space, place, culture and experiences of violence and justice. They are the author of Reclaiming the Night-Time Economy: Unwanted Sexual Attention in Pubs and Clubs (2016) and co-editor of #MeToo and the Politics of Social Change (2019).


Catherine Strong is an Associate Professor in the Music Industry program at RMIT in Melbourne, Australia. Among her publications are Grunge: Music and Memory (2011), Music City Melbourne (2022), and Towards Gender Equality in the Music Industry (2021, edited with Sarah Raine). Her research deals with various aspects of memory, nostalgia and gender in rock music, popular culture and the media. She is co-editor of Popular Music History journal and an associate editor for DIY, Alternative Cultures and Society journal.

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