Materials and Meaning in Contemporary Japanese Architecture
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Materials and Meaning in Contemporary Japanese Architecture
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An examination of how tradition can be incorporated into contemporary Japanese architecture, considering the work of five Japanese architects: Fumihiko Maki, Terunobu Fujimori, Ryoji Suzuki, Kengo Kuma, and Jun Aoki.
In this beautiful and perceptive book, Dana Buntrock examines, for the first time, how tradition is incorporated into contemporary Japanese architecture. Looking at the work of five architects -- Fumihiko Maki, Terunobu Fujimori, Ryoji Suzuki, Kengo Kuma, and Jun Aoki -- Buntrock reveals the aims influencing many wonderful works barely known in the West; the sensual side of Japanese architecture borne out of approaches often less concerned with professionalism than with people and place.
The buildings described in Materials and Meaning in Contemporary Japanese Architecture illustrate an architecture that embraces uniqueness, expressing unusual stories in the rough outlines of rammed earth and rust, and demonstrating new paths opening up for architectural practice today. For some, these examples will offer new insight into expressions of tradition in Japanese architecture; for others, this book offers inspiration for their own efforts to assert the unique heritage of other regions around the world.
Compelling, insightful and groundbreaking, this book is essential for everyone studying Japanese architecture and anyone trying to invoke narrative and tradition in contemporary design.
Book Details
INFORMATION
ISBN: 9780415778916
Publisher: Taylor & Francis Ltd
Format: Paperback / softback
Date Published: 22 February 2010
Country: United Kingdom
Imprint: Routledge
Illustration: 10 Line drawings, black and white; 210 Halftones, color
Audience: Tertiary education
DIMENSIONS
Width: 219.0mm
Height: 276.0mm
Weight: 1180g
Pages: 288
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About the Author
Dana Buntrock began her studies of Japanese architecture more than twenty years ago, her first visit a month-long trip that took her to tiny corners of the country to see avant-garde and out-of-the-way works. Her more recent research trips still range in remote pockets of the country, now renting cars, carrying a complex array of cameras and seeking out craftsmen who carry on age-old traditions. The architecture she sees is still often avant-garde, but today there are other approaches evident as well, ones more concerned with underscoring the uniqueness of these remote regions. Buntrockβs first book, Japanese Architecture as a Collaborative Process: Opportunities in a Flexible Construction Culture (E&FN Spon, 2001) looked at professional practice and what it said about a nationβs culture. Her second, Materials and Meaning in Contemporary Japanese Architecture (Routledge, 2010) is concerned with the art and craft of architecture, and how these are used to reflect the particularities of places.
Also by Dana Buntrock
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