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Contemporary Sculpture and the Critique of Display Cultures
Tainted Goods
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Contemporary Sculpture and the Critique of Display Cultures
$13400
Unit price
/
Unavailable
Book Hero Magic created this recommendation. While it's new and still learning, it may not be perfect - your feedback is welcome! IS THIS YOUR NEXT READ?
This book is ideal for readers interested in contemporary art, sculpture, and critical theory, particularly those seeking deeper understanding of materiality and display in modern assemblage art.
In this book, Dan Adler addresses recent tendencies in contemporary art toward assemblage sculpture and how these works incorporate tainted materials – often things left on the side of the road – and combine them in ways that allow each element to retain a degree of empirical specificity.
Book Hero Magic formatted this description to make it easier to read. While it's new and
still learning, it may not be perfect - your
feedback is welcome!
Description
In this book, Dan Adler addresses recent tendencies in contemporary art toward assemblage sculpture and how these works incorporate tainted materials—often things left on the side of the road, according to the logic and progress of the capitalist machine—and combine them in ways that allow each element to retain a degree of empirical specificity.
Adler develops a range of aesthetic models through which these practices can be understood to function critically. Each chapter focuses on a single exhibition: Isa Genzken’s OIL (German Pavilion, Venice Biennale, 2007), Geoffrey Farmer’s midcareer survey (Musée d’art contemporain, Montréal, 2008), Rachel Harrison’s Consider the Lobster (CCS Bard Hessel Museum of Art, 2009), and Liz Magor’s The Mouth and Other Storage Facilities (Henry Art Gallery, Seattle, 2008).
Series: Routledge Focus on Art History and Visual Studies
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Contemporary Sculpture and the Critique of Display Cultures
In this book, Dan Adler addresses recent tendencies in contemporary art toward assemblage sculpture and how these works incorporate tainted materials—often things left on the side of the road, according to the logic and progress of the capitalist machine—and combine them in ways that allow each element to retain a degree of empirical specificity. Adler develops a range of aesthetic...Hardback$13400Unit price /UnavailableAvailableShips in 4-6 weeks
Book Hero Magic summarised reviews for this book. While it's new and still learning, it may not be perfect - your feedback is welcome! HOW HAS THIS BEEN REVIEWED?
Gloria Sutton, Northeastern University Art, praises the book as "an argument for paying more attention to the material conditions of sculpture—not as a return to formalism, but as a powerful and necessary tool to cut through the lingo of installation art and the capaciousness of digital culture."
Book Details
INFORMATION
ISBN: 9781138479623
Publisher: Taylor & Francis Ltd
Format: Hardback
Date Published: 16 August 2018
Country: United Kingdom
Imprint: Routledge
Audience: Tertiary education
DIMENSIONS
Width: 138.0mm
Height: 216.0mm
Weight: 280g
Pages: 130
About the Author
Dan Adler is Associate Professor of Modern and Contemporary Art History at York University in Toronto.
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