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Creating A Role

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Book Hero Magic crafted this summary to help describe this book. While it's new and still learning, it may not be perfect - your feedback is welcome! Summary
Creating A Role is the third book in Constantin Stanislavski's seminal series that introduced his acting 'system' to the English-speaking world. It focuses on the detailed and methodical preparation an actor must undertake before stepping on stage, providing deep insights into the processes behind creating a character. The book also features Stanislavski's analysis of major works like Othello and Gogol's Inspector General.
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Format: Paperback / softback
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This book is ideal for actors, directors, and students of theatre seeking a foundational understanding of Stanislavski's approach to role preparation and character development.

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Book Hero Magic formatted this description to make it easier to read. While it's new and still learning, it may not be perfect - your feedback is welcome! Description

Creating A Role is the third book—alongside the international bestseller An Actor Prepares and Building A Character—in the series of influential translations that introduced Stanislavski's acting 'system' to the English-speaking world.

Here Stanislavski describes the elaborate preparation that an actor must undergo before the actual performance itself.

Now published in the Bloomsbury Revelations series to mark the 150th anniversary of Stanislavski's birth, the book includes the director's analysis of such works as Othello and Gogol's Inspector General.

Series: Bloomsbury Revelations

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Book Details

INFORMATION

ISBN: 9781780936918

Publisher: Bloomsbury Publishing PLC

Format: Paperback / softback

Date Published: 25 April 2013

Country: United Kingdom

Imprint: Bloomsbury Academic

Contributors:

  • Introduction by John Gillett

Audience: Tertiary education, Professional and scholarly

DIMENSIONS

Spine width: 16.0mm

Width: 138.0mm

Height: 214.0mm

Weight: 331g

Pages: 256

About the Author

Konstantin Stanislavski (1863-1938) was a Russian director who sought 'inner realism' by insisting that his actors find the truth within themselves and 'become' the characters they portrayed. His work brought international fame to the Moscow Art Theatre, which he had co-founded with Vladimir Nemirovich-Danchenko in 1897. During his early years at the Moscow Art Theatre, he directed the first productions of Chekhov's Uncle Vanya (1899), Three Sisters (1901) and The Cherry Orchard (1904) as well as a series of celebrated versions of Shakespeare. Stanislavski toured America with the company in 1923. After World War II, the US edition of Stanislavski's treatise An Actor Prepares (1926) became a bible of the Method school of acting.

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  • An Actor Prepares
    An Actor Prepares is the most famous acting training book ever written, and the work of Stanislavski has inspired generations of actors and trainers. This translation was the first to introduce Stanislavski's 'system' to the English-speaking world and has stood the test of time in acting classes to this day. Stanislavski deals with the inward preparation an actor must undergo...
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  • An Actor's Handbook
    Stanislavski was the foremost influence on the "Method" school of acting, as developed by Lee Strasberg. Here in concise form is what Stanislavski himself said about acting, aimed at students, experienced theatre people and laymen interested in stagecraft. These collected short statements on a variety of subjects cannot replace the full expression of Stanislavski's ideas and discoveries in his other...
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  • My Life In Art
    No one has had a greater influence on acting as we know it than Stanislavski. His 'method'—or interpretations of it—has become the central force determining almost every performance we see on stage or screen. In My Life in Art, Stanislavski recalls his theatrical career, from his early experiences in Rubinstein's Russian Musical Society to his final triumphs with Chekhov at...
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