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The Experimental Darkroom

Contemporary Uses of Traditional Black & White Photographic Materials
Book Hero Magic crafted this summary to help describe this book. While it's new and still learning, it may not be perfect - your feedback is welcome! Summary
The Experimental Darkroom explores innovative techniques using traditional black & white photographic materials, including darkroom chemistry and silver gelatin paper. Covering cameraless and camera-based experimentation, as well as printing and finished print processes, the book offers clear, step-by-step instructions alongside extensive photographic examples. Featuring over 400 images and insights from 71 contemporary photographers, it broadens creative possibilities in black & white printmaking with an emphasis on playful risk-taking and modern digital negative methods.
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Format: Hardback
$32900
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Book Hero Magic created this recommendation. While it's new and still learning, it may not be perfect - your feedback is welcome! IS THIS YOUR NEXT READ?

This book is ideal for photography enthusiasts and artists interested in experimental and analogue photographic processes, particularly those looking to expand their skills in black & white darkroom techniques. It will also appeal to creative practitioners eager to combine traditional darkroom methods with new digital approaches.

Book Hero thinking about your next read

This book is focused on traditional black and white photographic materials now used in many nontraditional ways. Topics are divided into five sections cameraless experimentation, camera experimentation, printing experimentation, finished print experimentation, and a section highlighting contemporary photographers who use these approaches.

Book Hero Magic formatted this description to make it easier to read. While it's new and still learning, it may not be perfect - your feedback is welcome! Description

The Experimental Darkroom is a book focused on traditional black & white photographic materials—darkroom chemistry and silver gelatin paper—now used in many non-traditional ways. The book starts with a comprehensive digital negatives chapter. Topics are divided into five sections: cameraless experimentation, camera experimentation, printing experimentation, finished print experimentation, and a section highlighting contemporary photographers who use these approaches today. Each process under discussion is accompanied by photographic examples and a step-by-step method written in a "Just the facts, ma’am" style.

Topics included are:

  • Photograms and clichés verre
  • Lumen prints
  • Chemigrams
  • Pinhole and zoneplate
  • Holgas
  • Chromo
  • Liquid emulsion and modern tintype
  • Lith printing
  • Sabattier
  • Mordançage
  • Bleaching and bleachout
  • Toning, traditional to experimental
  • Applied color and abrasion tone
  • Encaustic, photomontage, and collage
  • Bromoil

The Experimental Darkroom encourages taking risks and having fun. Over 400 images and 71 artists are included in its 276 pages. The outcome will be an expansion of creative options for the silver gelatin print. The options are engaging and now more accessible with digital negatives. Images are no longer solely captured in camera or on analog film. The darkroom is no longer always dark. The print is no longer a pristine and accurate rendition of what the camera sees. Photographers are pushing the boundaries of black & white photographic practice. It is an exciting time to get into the darkroom and play!

Series: Contemporary Practices in Alternative Process Photography

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Book Details

INFORMATION

ISBN: 9781032149578

Publisher: Taylor & Francis Ltd

Format: Hardback

Date Published: 07 October 2022

Country: United Kingdom

Imprint: Routledge

Illustration: 400 Halftones, color; 400 Illustrations, color

Audience: Tertiary education, Professional and scholarly

DIMENSIONS

Width: 203.0mm

Height: 254.0mm

Weight: 1000g

Pages: 276

About the Author

Christina Z. Anderson’s work focuses on the contemporary vanitas printed in a variety of 19th century photographic processes. Anderson’s work has shown nationally and internationally in 120 shows and 60 publications. Anderson has authored books which have sold in over 40 countries—The Experimental Photography Workbook, Gum Printing and Other Amazing Contact Printing Processes, Gum Printing, A Step by Step Manual Highlighting Artists and Their Creative Practice, Salted Paper Printing, A Step-by-Step Manual Highlighting Contemporary Artists, and Cyanotype: The Blueprint in Contemporary Practice; also Digital Negatives with QuadToneRIP, Demystifying QTR for Photographers and Printmakers co-authored with Ron Reeder, and Handcrafted: The Art and Practice of the Handmade Print co-authored with Wang, Jianming, and King. Anderson is Series Editor for Focal Press/Routledge’s Contemporary Practices in Alternative Process Photography series and Professor of Photography at Montana State University. To see her work, visit christinaZanderson.com.

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