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Deserts Are Not Empty

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Deserts Are Not Empty confronts colonial narratives that depict arid landscapes as barren and vacant, inviting exploitation. This volume challenges such perceptions through a rich tapestry of poems, conversations, and essays contributed by scholars and artists across diverse disciplines including architecture, literature, and photography. Emphasising a decolonial framework, it remaps the histories and representations of deserts, which cover about one-third of the Earth's surface, to reveal the vibrant human and nonhuman lives present and to imagine these spaces anew.
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Format: Paperback / softback
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Ideal for readers interested in arts and culture, postcolonial studies, geography, and environmental humanities, as well as professionals in architecture, curatorial practices, and literature seeking fresh perspectives on desert landscapes.

Book Hero thinking about your next read

Deserts Are Not Empty challenges the colonial tendency to portaryarid lands as “empty” spaces ready to be occupied and
exploited. Despite the undeniable presence of human and nonhuman lives and forces in desert territories. This volume brings together a collection of
thinking from diverse voices to unsettle and unlearn the desert.

Book Hero Magic formatted this description to make it easier to read. While it's new and still learning, it may not be perfect - your feedback is welcome! Description

Colonial and imperial powers have often portrayed arid lands as "empty" spaces ready to be occupied, exploited, extracted, and polluted. Despite the undeniable presence of human and non-human lives and forces in desert territories, the "regime of emptiness" has inhabited, and is still inhabiting, many imaginaries. Deserts Are Not Empty challenges this colonial tendency, questions its roots and ramifications, and remaps the representations, theories, histories, and stories of arid lands—which comprise approximately one-third of the Earth's land surface.

The volume brings together poems in original languages, conversations with collectives, and essays by scholars and professionals from the fields of architecture, architectural history and theory, curatorial studies, comparative literature, film studies, landscape architecture, and photography. These different approaches and diverse voices draw on a framework of decoloniality to unsettle and unlearn the desert, opening up possibilities to see, think, and imagine it otherwise.

With contributions from Saphiya Abu Al-Maati, Menna Agha, Asaiel Al Saeed, Aseel AlYaqoub, Yousef Awaad Hussein, Ariella Aïsha Azoulay, Danika Cooper, Brahim El Guabli, Timothy Hyde, Jill Jarvis, Bongani Kona, Dalal Musaed Alsayer, Observatoire des armements, Francisco E. Robles, Paulo Tavares, Alla Vronskaya, and XqSu.

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  • Deserts Are Not Empty
    Colonial and imperial powers have often portrayed arid lands as "empty" spaces ready to be occupied, exploited, extracted, and polluted. Despite the undeniable presence of human and non-human lives and forces in desert territories, the "regime of emptiness" has inhabited, and is still inhabiting, many imaginaries. Deserts Are Not Empty challenges this colonial tendency, questions its roots and ramifications, and...
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Book Details

INFORMATION

ISBN: 9781941332740

Publisher: Columbia Books on Architecture and the City

Format: Paperback / softback

Date Published: 01 November 2022

Country: United States

Imprint: Columbia Books on Architecture and the City

Audience: Professional and scholarly

DIMENSIONS

Spine width: 25.0mm

Width: 151.0mm

Height: 209.0mm

Weight: 494g

Pages: 384

About the Author

Samia Henni is assistant professor of history of architecture and urban development at Cornell University’s College of Architecture, Art, and Planning. She is the author of the multi-award-winning Architecture of Counterrevolution: The French Army in Northern Algeria (gta Verlag, 2017), the editor of the War Zones gta papers no. 2 (gta Verlag, 2018), and the curator of exhibitions, such as Archives: Secret-Défense? (ifa Gallery, SAVVY Contemporary, Berlin, 2021), Housing Pharmacology (Manifesta 13, Marseille, 2020) and Discreet Violence: Architecture and the French War in Algeria (Zurich, Rotterdam, Berlin, Johannesburg, Paris, Prague, Ithaca, Philadelphia, Charlottesville, 2017–2022). She was formerly Albert Hirschman Chair at the Institute of Advanced Study in Marseille, a visiting Geddes Fellow at Edinburgh School of Architecture and Landscape Architecture, and a visiting professor at the Institute of Art History at the University of Zurich.

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