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Photography and Germany

Series: Exposures
Book Hero Magic crafted this summary to help describe this book. While it's new and still learning, it may not be perfect - your feedback is welcome! Summary
Photography and Germany offers the first comprehensive, single-authored history of German photography. It explores photography's vital role in shaping Germany's cultural, political, and social identity through turbulent times. Tracing the medium's development from early chemical experiments to the interplay of analogue and digital art forms, the book reveals how photography influenced notions of what it means to be 'German'. Profusely illustrated with many previously unpublished images, this work enriches understanding of how photography both reflected and shaped Germany’s national imagining.
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Format: Paperback / softback
$5999
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Book Hero Magic created this recommendation. While it's new and still learning, it may not be perfect - your feedback is welcome! IS THIS YOUR NEXT READ?

This book is ideal for readers interested in photography, German culture, art history, and national identity studies. It suits academics, students, and general readers keen on exploring the interplay between visual media and historical narratives.

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Richly illustrated with many previously unpublished images, Photography and Germany is the first single-authored history of German photography, and deepens our understanding of how photography cultivates notions of a nation and its inhabitants.

Book Hero Magic formatted this description to make it easier to read. While it's new and still learning, it may not be perfect - your feedback is welcome! Description

Richly illustrated with many previously unpublished images, Photography and Germany is the first single-authored history of German photography. It deepens our understanding of how photography cultivates notions of a nation and its inhabitants.

Photography and Germany examines photography's multi-faceted relationship with Germany's turbulent cultural, political, and social history. It shows how many of the same phenomena that helped generate the country's most recognisable photographs also led to a range of lesser-known pictures that similarly documented or negotiated Germany's cultural identity and historical ruptures.

The book rethinks the photography we commonly associate with the country by focusing on how the medium heavily defined the notion of 'German'. As a product of the modern age, photography intervened in a fraught project of national imagining, largely productively but sometimes catastrophically. Photography and Germany covers this history chronologically, from early experiments in light-sensitive chemicals, to the tension between analogue and digital technologies that have stimulated the famous contemporary art photography associated with the country.

Richly illustrated with many previously unpublished images, Photography and Germany is a cogent, insightful history of photography's relationship with Germany's sometimes difficult past.

Series: Exposures

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Book Hero Magic summarised reviews for this book. While it's new and still learning, it may not be perfect - your feedback is welcome! HOW HAS THIS BEEN REVIEWED?

Geoffrey Batchen, Professor of Art History at Victoria University of Wellington, praises the book for deftly navigating Germany's complex history. He highlights Zervigon’s balanced treatment of both vernacular and artistic photography, calling it an essential overview for those interested in the subject.

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Book Details

INFORMATION

ISBN: 9781780237480

Publisher: Reaktion Books

Format: Paperback / softback

Date Published: 01 May 2017

Country: United Kingdom

Imprint: Reaktion Books

Illustration: 115 illustrations, 55 in colour

Audience: General / adult

DIMENSIONS

Width: 190.0mm

Height: 220.0mm

Weight: 250g

Pages: 224

About the Author

Andrés Mario Zervigón is Professor of the History of Photography at Rutgers, the State University of New Jersey. His previous books include John Heartfield and the Agitated Image: Photography, Persuasion, and the Rise of Avant-garde Photomontage (2012) and Photography and Its Origins (co-edited with Tanya Sheehan, 2014).

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