Understanding Displacement Aesthetics
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Understanding Displacement Aesthetics
Understanding displacement aesthetics explores how visual culture and art shape and challenge ideas about forced displacement. Bridging cultural and art history with curatorial studies, it offers a new framework for 'displacement aesthetics' and highlights artistic and institutional responses to refugeedom.
Since the Second World War and the formalisation of the international refugee regime, forced displacement has been marked by a set of aesthetic, practical, and institutional concerns. Understanding Displacement Aesthetics examines how visual culture and art practice constructs and challenges ideas about forced displacement and refugees. The novel framework for 'displacement aesthetics' moves beyond conventional understandings of aesthetics as merely representational, demonstrating the entanglement of visual culture, art practices, and forced displacement in postmigrant contexts. Bringing together the fields of cultural history, art history, and curatorial studies, Understanding Displacement Aesthetics identifies four areas for consideration: visual tropes of refugeedom; language and identity; institutional and artistic responses to displacement; and lived experiences of artists with backgrounds of displacement. Through archival research, visual culture and art, interviews, and collaborative curatorship, Understanding Displacement Aesthetics offers new insight into overcoming the limitations that contexts of displacement can present for artists, art galleries and institutions addressing refugeedom and its legacies.
Book Details
INFORMATION
ISBN: 9781526181480
Publisher: Manchester University Press
Format: Hardback
Date Published: 06 January 2026
Country: United Kingdom
Imprint: Manchester University Press
Illustration: 40 colour illustrations
Audience: General / adult, Tertiary education, Professional and scholarly
DIMENSIONS
Spine width: 24.0mm
Width: 170.0mm
Height: 244.0mm
Weight: 818g
Pages: 288
About the Author
Professor Ana Carden-Coyne is Director of the Centre for the Cultural History of War at the University of Manchester
Chrisoula Lionis is Postdoctoral Research Fellow at the University of Manchester and co-Director of Artists for Artists (AfA)
Angeliki Roussou is Teaching Fellow in Modern and Contemporary Art History at the University of Edinburgh
Charles Green is Professor of Contemporary Art in the School of Culture and Communication at the University of Melbourne
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