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Sight Lines
Women and Art in Aotearoa
Brief Description
From ancient whatu kakahu to contemporary installation art, Frances Hodgkins to Merata Mita, Fiona Clark to Mataaho Collective, Sight Lines tells the story of art made by women in Aotearoa. Gathered here are painters, photographers, performers, sculptors, weavers, textile artists, poets and activists. They have worked...
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Sight Lines
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Extraordinary women, groundbreaking art.
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Description
From ancient whatu kakahu to contemporary installation art, Frances Hodgkins to Merata Mita, Fiona Clark to Mataaho Collective, Sight Lines tells the story of art made by women in Aotearoa. Gathered here are painters, photographers, performers, sculptors, weavers, textile artists, poets and activists.
They have worked individually, collaboratively and in collectives. They have defied restrictive definitions of what art should be and what it can do. Their stories and their work enable us to ask new questions of art history in Aotearoa. How have tangata whenua and tangata tiriti artists negotiated their relationships to each other, and to this place? How have women used their art-making to explore their relationships to land and water, family and community, politics and the nation?
With more than 150 striking images and essays by Chloe Cull, Ngarino Ellis, Ioana Gordon-Smith, Rangimarie Sophie Jolley, Lana Lopesi, Hanahiva Rose, Huhana Smith and Megan Tamati-Quennell alongside the author, Sight Lines is a bold new account of art-making in Aotearoa through 35 extraordinary women artists.
Book Details
INFORMATION
ISBN: 9781869409982
Publisher: Auckland University Press
Format: Hardback
Date Published: 11 July 2024
Country: New Zealand
Imprint: Auckland University Press
Audience: General / adult
DIMENSIONS
Spine width: 39.0mm
Width: 180.0mm
Height: 235.0mm
Weight: 250g
Pages: 444
About the Author
Dr Kirsty Baker is an art historian, curator and writer based in Te Whanganui-a-Tara where she currently works as a curator at City Gallery Wellington Te Whare Toi. She completed her PhD in art history at Victoria University of Wellington—Te Herenga Waka, where her thesis ‘Constituting the “Woman Artist”: A Feminist Genealogy of Aotearoa New Zealand’s Art History 1928–1989’ was awarded a place on the prestigious Doctoral Dean’s List for 2020. Alongside this academic research, Baker’s writing on contemporary women artists in Aotearoa has appeared in a wide range of publications, including Art New Zealand, The Pantograph Punch, Artist Profile, Femisphere and Art and Australia. She has also written essays on women artists and feminist art histories for a range of publications including Flora: Celebrating Our Botanical World (Te Papa Press, 2023), The Dialogics of Contemporary Art: Painting Politics (Kerber Verlag, 2019), Embodied Knowledge / Can Tame Anything (The Dowse Art Museum, 2019), Jacqueline Fahey’s Suburbanites (New Zealand Portrait Gallery, 2019) and All Lines Converge: Some Lines Through the Archive (Govett-Brewster Art Gallery, 2017).
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