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Holy Smoke

Censers Across Cultures
Brief Description
Religious art from four continents and across cultures - seeing and smelling the sacred. Holy Smoke: Censers Across Cultures investigates the practice of incense - the use of material objects to communicate with the divine - in religious contexts as it has been used in cultures... Read More
Format: Hardback
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Book Hero Magic formatted this description to make it easier to read. While it's new and still learning, it may not be perfect - your feedback is welcome! Description

Religious art from four continents and across cultures - seeing and smelling the sacred.

Holy Smoke: Censers Across Cultures investigates the practice of incense - the use of material objects to communicate with the divine - in religious contexts as it has been used in cultures worldwide across historical periods, religions, and cultures.

The fragrant smoke of incense filling the air can be witnessed in any tradition, whether polytheistic or monotheistic, whether in the Ancient Near East or Medieval Europe. Censers are ubiquitous among religious paraphernalia, and on a truly global scale.

Focusing on case studies not only places the censer in a constellation of other religious artefacts, but also relocates the importance of rituals that have long been placed at the margins of the study of religion, art, and ritual. Emerging from this, we hope, is a better grasp of the role of sensorial elements in the fostering of the devotional practices of world religions.

Book Details

INFORMATION

ISBN: 9783777439488

Publisher: Hirmer Verlag

Format: Hardback

Date Published: 25 January 2024

Country: Germany

Imprint: Hirmer Verlag

Illustration: 170 Illustrations, color

Contributors:

  • Edited by Beate Fricke

Audience: General / adult

DIMENSIONS

Width: 216.0mm

Height: 305.0mm

Weight: 1100g

Pages: 368

About the Author

Beate Fricke's research focuses on the history of images in the Middle Ages, relics in Early and High Medieval Art as well as objects as archives of a history of applied arts, knowledge transfer and trade in the global "Middle Ages". Before joining the University of Bern in 2017, she was Professor for Medieval Art at the University of California, Berkeley.

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