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Katherine Bernhardt: Why is a mushroom growing in my shower?

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Katherine Bernhardt: Why is a mushroom growing in my shower? features the dynamic and playful paintings of Katherine Bernhardt, whose work captures the essence of American pop vernacular—from Pokémon and the Pink Panther to Crocs and psilocybin mushrooms. This large-format catalogue expands on her 2022 exhibition at David Zwirner, London, showcasing monumental works that blend vibrant colour with a brisk, improvisational technique. Suzanne Hudson's essay offers an insightful art historical perspective on Bernhardt's innovative relationship between art, objects, and commerce.
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Format: Hardback
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Book Hero Magic created this recommendation. While it's new and still learning, it may not be perfect - your feedback is welcome! IS THIS YOUR NEXT READ?

This book will appeal to readers interested in contemporary art, pop culture, and vibrant, experimental painting. It suits art enthusiasts, collectors, and anyone curious about the intersection of iconic cultural motifs and modern artistic practice.

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Katherine Bernhardt: Why is a mushroom growing in my shower?

Book Hero Magic formatted this description to make it easier to read. While it's new and still learning, it may not be perfect - your feedback is welcome! Description

Dazzling and playful, Katherine Bernhardt's newest paintings highlight her fascination with American pop vernacular, from Pokémon and the Pink Panther to Crocs and psilocybin mushrooms.

"Bernhardt has always been impressive for her ability to combine the immediate, seductive properties of paint with the infectious humour of topical pop culture."Hyperallergic

Bernhardt's boundless visual appetite has established her as one of the most exciting painters working today. Thinking about the relationship between art, objects, and commerce, Bernhardt spotlights iconic motifs of cartoons and cultural symbols. Colours and lines bleed and pool together, revealing Bernhardt's brisk and improvisational process. Monumental in size, subject matter, and vibrancy, Katherine Bernhardt's works demand attention.

Expanding upon the exhibition at David Zwirner, London, in 2022, this catalogue includes bonus paintings and works on paper—developing her ongoing body of work. With many details of Bernhardt's paintings, this large publication gives the artist's work ample space to play. Suzanne Hudson's essay considers Bernhardt's work from an art historical perspective and thinks through the relationship between the artist's work and life.

Book Hero Magic summarised reviews for this book. While it's new and still learning, it may not be perfect - your feedback is welcome! HOW HAS THIS BEEN REVIEWED?

Critics praise Bernhardt's "ebullient painting style" and "vivid use of colour" which result from her unique, improvisational approach. She is celebrated for her "insatiable visual appetite" and ability to bring different audiences into the art world, treating art like a game. Reviews highlight her exploration of contemporary pop phenomena and the infectious power of her work.

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Book Details

INFORMATION

ISBN: 9781644231128

Publisher: David Zwirner

Format: Hardback

Date Published: 30 November 2023

Country: United States

Imprint: David Zwirner

Illustration: 82 Illustrations, color

Audience: General / adult

DIMENSIONS

Width: 273.0mm

Height: 362.0mm

Weight: 1640g

Pages: 128

About the Author

Katherine Bernhardt (b. 1975) was born in St. Louis, Missouri and received a BFA from the School of the Art Institute of Chicago in 1998 and an MFA from the School of Visual Arts, New York, in 2000. In 2018, the solo exhibition Katherine Bernhardt: Watermelon World was on view at the Mario Testino Museum (MATE) in Lima, Peru. The previous year, in 2017, the Modern Art Museum of Fort Worth, Texas presented FOCUS: Katherine Bernhardt. Also in 2017, the artist painted a 60 foot-long mural entitled XXL Superflat Pancake for the St. Louis Contemporary Art Museum. Her work has also been included in significant group exhibitions, such as We Fight to Build a Free World: An Exhibition by Jonathan Horowitz, Jewish Museum, New York (2020), and NO MAN'S LAND: Women Artists from the Rubell Family Collection, Rubell Museum, Miami, which traveled to the National Museum of Women in the Arts, Washington, DC (2015-2017).

A Los Angeles-based art historian and critic, Suzanne Hudson is professor of art history and fine arts at the University of Southern California. A longtime contributor to Artforum, she is the author of books including Robert Ryman: Used Paint (2009), Agnes Martin: Night Sea (2017), and Contemporary Painting (2021). Supported by a New Directions Fellowship from the Andrew W. Mellon Foundation, she is pursuing research into the practical applications of art making for Better for the Making: Art, Therapy, Process, a study of the therapeutic origins of process within American modernism.

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