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Theorising the Artist Interview
Brief Description
Reflecting on the relationship between artists and their audiences, this book examines how artists have presented themselves publicly through interviews and sought to establish a critical voice for themselves. Considering the interview as a form of cultural production, contributors explore the criteria for determining the artist...
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Reflecting on the relationship between artists and their audiences, this book examines how artists have presented themselves publicly through interviews and sought to establish a critical voice for themselves.
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Description
Reflecting on the relationship between artists and their audiences, this book examines how artists have presented themselves publicly through interviews and sought to establish a critical voice for themselves.
Considering the interview as a form of cultural production, contributors explore the criteria for determining the artist interview as a distinct field of research in relation to other cultural fields. Structured in four parts, βHistory and Historiographyβ, βSubverting the Biographical Modelβ, βInterviews as Practiceβ and βMateriality and Technologyβ, the book takes an interdisciplinary approach that encompasses the fields of art history, fine art, oral history, curating, media studies and museum conservation. By theorising the artist interview as a form of cultural production and embracing it as a co-constructed critical practice, this volume aims to show and encourage an approach to art history which dismantles old hierarchies in favour of valuing dialogue and collaboration.
The book will be of interest to scholars working in art history, museum studies, oral history and historiography.
Series: Routledge Research in Art History
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Theorising the Artist Interview
Reflecting on the relationship between artists and their audiences, this book examines how artists have presented themselves publicly through interviews and sought to establish a critical voice for themselves. Considering the interview as a form of cultural production, contributors explore the criteria for determining the artist interview as a distinct field of research in relation to other cultural fields. Structured...Hardback$35300Unit price /UnavailableAvailableShips in 4-6 weeks -
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The Australian Art Field
This book brings together leading scholars and practitioners to take stock of the frictions generated by a tumultuous time in the Australian art field and to probe what the crises might mean for the future of the arts in Australia. Specific topics include national and international art markets; art practices in their broader social and political contexts; social relations and...Paperback$10200Unit price /UnavailableAvailableShips in 4-6 weeks
Book Details
INFORMATION
ISBN: 9781032419596
Publisher: Taylor & Francis Ltd
Format: Paperback / softback
Date Published: 12 January 2026
Country: United Kingdom
Imprint: Routledge
Illustration: 15 Halftones, color; 22 Halftones, black and white; 15 Illustrations, color; 22 Illustrations, black and white
Contributors:
- Edited by Lucia Farinati
- Edited by Jennifer Thatcher
Audience: Tertiary education
DIMENSIONS
Width: 174.0mm
Height: 246.0mm
Weight: 470g
Pages: 240
About the Author
Lucia Farinati is a writer-researcher, curator and activist. She holds an MA in Curating from Goldsmiths University and a PhD in Critical Studies from Kingston University, London. She is the co-author of The Force of Listening (2017), and Training for Exploitation? Politicising Employability and Reclaiming Education (2017).
Jennifer Thatcher is an art historian, critic and curator. She coβcurated Folkestone Book Festival (2023), curated the public programmes for Folkestone Triennial (2014, 2017) and Whitstable Biennale (2016), and was Director of Talks at the ICA (2003β2010). She is a British Academy Postdoctoral Fellow at the University of Kent, Canterbury.
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