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Transmedial Landscapes and Modern Chinese Painting
Series: Harvard East Asian Monographs
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Transmedial Landscapes and Modern Chinese Painting
$15099
Unit price
/
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Book Hero Magic created this recommendation. While it's new and still learning, it may not be perfect - your feedback is welcome! IS THIS YOUR NEXT READ?
This book is ideal for scholars and students of Chinese art history, especially those interested in modern Chinese painting, transmedial art practices, and cultural studies of Republican China. It will also appeal to readers keen on the intersections between art, history, and societal transformation.
Juliane Noth shows how art and discussions about the future of ink painting were linked to the reshaping of the country, leading to the creation of a uniquely modern Chinese landscape imagery. Noth offers a new understanding of these experiments by studying them as transmedial practice, at once shaped by and integral to the modern global art world.
Book Hero Magic formatted this description to make it easier to read. While it's new and
still learning, it may not be perfect - your
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Description
Chinese ink painters of the Republican period (1911–1949) creatively engaged with a range of art forms in addition to ink, such as oil painting, drawing, photography, and woodblock prints. They transformed their medium of choice in innovative ways, reinterpreting both its history and its theoretical foundations. Juliane Noth offers a new understanding of these compelling experiments in Chinese painting by studying them as transmedial practice, at once shaped by and integral to the modern global art world.
Transmedial Landscapes and Modern Chinese Painting shines a spotlight on the mid-1930s, a period of intense productivity in which Chinese artists created an enormous number of artworks and theoretical texts. The book focuses on the works of three seminal artists, Huang Binhong, He Tianjian, and Yu Jianhua, facilitating fresh insights into this formative stage of their careers and into their collaborations in artworks and publications.
In a nuanced reading of paintings, photographs, and literary and theoretical texts, Noth shows how artworks and discussions about the future of ink painting were intimately linked to the reshaping of the country through infrastructure development and tourism, thus leading to the creation of a uniquely modern Chinese landscape imagery.
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Book Hero Magic summarised reviews for this book. While it's new and still learning, it may not be perfect - your feedback is welcome! HOW HAS THIS BEEN REVIEWED?
Craig Clunas of the Journal of Chinese History praises the book as an important volume essential for scholars of Republican China's cultural politics. Similarly, John Clark in 21: Inquiries into Art, History, and the Visual highlights its comprehensive and insightful analysis of landscape painting and its intersections with photography, noting the book's detailed approach makes it an important reference.
Book Details
INFORMATION
ISBN: 9780674267947
Publisher: Harvard University Press
Format: Hardback
Date Published: 03 January 2023
Country: United States
Imprint: Harvard University Press
Illustration: 23 illus., 113 color illus., 2 maps
Audience: Professional and scholarly
DIMENSIONS
Spine width: 33.0mm
Width: 178.0mm
Height: 254.0mm
Weight: 1225g
Pages: 400
About the Author
Juliane Noth is Professor of East Asian Art History at Freie Universität Berlin.
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