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Stanislavski: The Basics

Series: The Basics
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Book Hero Magic crafted this summary to help describe this book. While it's new and still learning, it may not be perfect - your feedback is welcome! Summary
Stanislavski: The Basics offers an accessible introduction to the life and influential work of Konstantin Stanislavski, a key figure in twentieth century theatre. The book explores his major works in English translation, situates his ideas within historical and practical contexts, and examines his enduring impact on modern theatre. It includes a glossary of terms, a comprehensive chronology, and suggestions for further reading, making it ideal for undergraduate students.
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Format: Hardback
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This book is particularly suited for undergraduate students and those new to theatre studies seeking a clear and engaging overview of Stanislavski's contributions to theatrical arts.

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Stanislavski: The Basics is an engaging introduction to the life, thought and impact of Konstantin Stanislavski.

Book Hero Magic formatted this description to make it easier to read. While it's new and still learning, it may not be perfect - your feedback is welcome! Description

Stanislavski: The Basics is an engaging introduction to the life, thought and impact of Konstantin Stanislavski. Regarded by many as a great innovator of twentieth century theatre, this book examines Stanislavski's:

life and the context of his writings
major works in English translation
ideas in practical contexts
impact on modern theatre

With further reading throughout, a glossary of terms and a comprehensive chronology, this text makes the ideas and theories of Stanislavski available to an undergraduate audience.

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Book Details

INFORMATION

ISBN: 9780415492942

Publisher: Taylor & Francis Ltd

Format: Hardback

Date Published: 17 December 2012

Country: United Kingdom

Imprint: Routledge

Audience: Tertiary education

DIMENSIONS

Width: 129.0mm

Height: 198.0mm

Weight: 280g

Pages: 198

About the Author

Rose Whyman is Lecturer in Drama and Theatre Arts at the University of Birmingham. She is the author of The Stanislavski System of Acting: Legacy and Influence in Modern Performance (CUP, 2007).

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