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Robert Bresson
Cinematic Style as Philosophy
Brief Description
A philosophical engagement with Bresson's many films, attentive to more than their religiosity. Over a forty-year career, Robert Bresson developed one of the most distinctive cinematic styles in the history of filmmaking. Criticizing conventional movies as "filmed theater," Bresson proposed instead a way of writing with...
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Description
A philosophical engagement with Bresson's many films, attentive to more than their religiosity.
Over a forty-year career, Robert Bresson developed one of the most distinctive cinematic styles in the history of filmmaking. Criticizing conventional movies as "filmed theater," Bresson proposed instead a way of writing with images, which he called "cinematographs."
Robert Bresson by Robert B. Pippin argues for a way of understanding how these stylistic innovations express a range of philosophical commitments. This includes explorations of the possible sources of meaning in late modern life and the implications of the absence of such sources.
Book Details
INFORMATION
ISBN: 9780226845043
Publisher: The University of Chicago Press
Format: Paperback / softback
Date Published: 19 January 2026
Country: United States
Imprint: University of Chicago Press
Illustration: 15 color plates, 44 halftones
Audience: Professional and scholarly
DIMENSIONS
Spine width: 13.0mm
Width: 152.0mm
Height: 229.0mm
Weight: 286g
Pages: 176
About the Author
Robert B. Pippin is the Evelyn Stefansson Nef Distinguished Service Professor in the John U. Nef Committee on Social Thought, the Department of Philosophy, and the College at the University of Chicago. He is the author of many books on philosophy, literature, art, and film.
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