Playwriting
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Playwriting
Book Hero Magic created this recommendation. While it's new and still learning, it may not be perfect - your feedback is welcome! IS THIS YOUR NEXT READ?
This book is ideal for anyone keen to understand how contemporary plays and playwrights work, particularly those wanting to write for the stage themselves. Drawing heavily on contemporary practice, it considers moments from a range of plays, with a focus on those from the National Theatre's repertoire.
The book embraces a range of different dramaturgical structures and styles popular today; plays by a diverse selection of writers; and the current openness of dramatic form. Playwriting is a book of tools, rather than rules, providing suggestions and provocations, exercises and tricks, examples and discussions. It serves as an ideal text for playwrights to hone their craft.
Series: National Theatre Backstage Guides
View allBook Hero Magic summarised reviews for this book. While it's new and still learning, it may not be perfect - your feedback is welcome! HOW HAS THIS BEEN REVIEWED?
Praised for its insightful and informal approach, Playwriting is considered both inspiring and entertaining. Critics highlight Rebellato's deep knowledge of new theatre and his ability to demystify the writing process by sharing personal practice and referencing a wide array of plays, making it a valuable resource for contemporary UK theatre enthusiasts. David Eldridge calls him a perspicacious critic of the theatre scene, and Writers' Forum appreciates the practical tools and exercises offered.
Book Details
INFORMATION
ISBN: 9781350135833
Publisher: Bloomsbury Publishing PLC
Format: Paperback / softback
Date Published: 23 February 2023
Country: United Kingdom
Imprint: Methuen Drama
Audience: Primary and secondary education, Tertiary education
DIMENSIONS
Spine width: 14.0mm
Width: 122.0mm
Height: 164.0mm
Weight: 140g
Pages: 160
About the Author
Dan Rebellato is an experienced, internationally performed playwright for theatre and radio. He has taught playwriting for 25 years for various universities, writers' groups, Arvon and elsewhere. He has also written widely and influentially on contemporary British theatre, with a focus on the theory and practice of new writing. He is Professor of Contemporary Theatre at Royal Holloway, University of London.
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