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Promesse du Bonheur

Book Hero Magic crafted this summary to help describe this book. While it's new and still learning, it may not be perfect - your feedback is welcome! Summary
Promesse du Bonheur is a captivating collection of eighty poems by Michael Fried, mixing lyric and prose forms, accompanied by thirty-three photographs by James Welling. The poems explore a rich tapestry of subjects, from the high modernist art world and celebrated figures such as Degas, Manet, and Derrida, to deeply personal themes like love, loss, late fatherhood, and ageing. Fried’s poetic voice reveals a multifaceted self—an ambitious, reflective critic and poet embracing the interconnectedness of art, experience, and intellect under Emerson's urging to accept one’s place in the world.
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Format: Paperback / softback
$4399
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Book Hero Magic created this recommendation. While it's new and still learning, it may not be perfect - your feedback is welcome! IS THIS YOUR NEXT READ?

This collection will resonate deeply with readers interested in contemporary poetry, art criticism, and the intersection of visual and literary arts. It is particularly suited for those who appreciate reflective, intellectually rich poetry that dialogues with art history and personal experience alike.

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A book of poems, in which that author explores the people and the objects that have moved him - great minds and great works of art.

Michael Fried is as much a poet as he is a critic. His experiences among artworks and luminaries of the art world have resulted in a canonized body of criticism, but they have also provided the raw material for many of the poems in his newest collection, Promesse du Bonheur. Beyond presenting new works, Promesse du Bonheur breaks ground for Fried by combining eighty poems, a mix of lyric and prose poems, with thirty-three photographs, most of them made, all of them chosen by renowned American photographer James Welling.

Book Hero Magic formatted this description to make it easier to read. While it's new and still learning, it may not be perfect - your feedback is welcome! Description

Michael Fried is as much a poet as he is a critic. His experiences among artworks and luminaries of the art world have resulted in a canonised body of criticism, but they have also provided the raw material for many of the poems in his newest collection, Promesse du Bonheur.

Fried's passion, lyricism, and humour, which have been lauded by Allen Grossman and J.M. Coetzee, are on display as he explores the people and the objects that have moved him—great minds and great works of art.

Along the way, Fried begins to reveal himself to the reader: he is at once a student, unsure of himself; a young man, ambitious and in love; a committed champion of artists; a world-class intellectual among intellectual peers; and a poet, transmuting the world around him. Here we find the poet-critic at his most complete.

Beyond presenting new works, Promesse du Bonheur breaks ground for Fried by combining eighty poems, a mix of lyric and prose poems, with thirty-three photographs, most of them made, all of them chosen by renowned American photographer James Welling.

The photographs throughout often stand in oblique relation to the poems and must be interpreted in their own right, as images and as complementary pieces of this mesmerising whole. Written under the epigraph of Ralph Waldo Emerson's urging in "Self-Reliance"—"Accept the place the divine providence has found for you, the society of your contemporaries, the connection of events"—the poems engage diverse subjects: from the high modernist art world of the 1960s to a major poet's tragic loss of memory.

From exemplary works and persons such as Degas' The Fallen Jockey, Kleist's Prince of Homburg, Menzel's drawings, Edouard Manet, Anna Akhmatova, Jacques Derrida, Stanley Cavell, Ian Hamilton, and John Harbison, to erotic love, late fatherhood, the death of parents and friends, and the onset of age.

Promesse du Bonheur is a uniquely vivid and compelling volume, at once a collection of wide-ranging yet intimately related poems and a brilliant photobook, that aims to hold the reader/viewer in its spell from first page to last.

Book Hero Magic summarised reviews for this book. While it's new and still learning, it may not be perfect - your feedback is welcome! HOW HAS THIS BEEN REVIEWED?

Reviews highlight the elegiac and melancholic tone that pervades the poems, enriched by James Welling's unique photographs, which add a vital 'density' to the collection and prevent it from fading. Pac Pobric in The Art Newspaper emphasises the haunting mood, while Ruth Horak in Eikon praises Welling's photographic versatility and artistic sophistication, applauding this seamless fusion of poetry and imagery.

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Book Details

INFORMATION

ISBN: 9781941701430

Publisher: David Zwirner

Format: Paperback / softback

Date Published: 10 November 2016

Country: United States

Imprint: David Zwirner

Illustration: Illustrated in duotone throughout

Audience: General / adult

DIMENSIONS

Width: 168.0mm

Height: 222.0mm

Weight: 440g

Pages: 152

About the Author

Michael Fried is a poet, art critic, art historian, and literary scholar. His many books include Absorption and Theatricality: Painting and Beholder in the Age of Diderot (1980), Art and Objecthood: Essays and Reviews (1998), and The Moment of Caravaggio (2010). Previous books of poems are Powers (1973), To the Center of the Earth (1994), and The Next Bend in the Road (2004). Fried is the J. R. Herbert Boone Chair in the Humanities at Johns Hopkins University.

James Welling has been questioning the norms of representation since the 1970s. His work centers on an exploration of photography, shuffling the elemental components of the medium to produce a distinctly uncompromising body of work. Welling is also intensely interested in cultural and personal ideas of memory in his work. In opening up the medium of photography for experimentation, James Welling's practice has influenced an entire generation of artists and photographers.

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