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An Introduction to the Phenomenology of Performance Art

SELF/s
Brief Description
An accessible primer for art students or researchers new to phenomenology. An Introduction to the Phenomenology of Performance Art by T. J. Bacon introduces the study and application of performance art through phenomenology, inviting readers to explore contemporary performance art and activate their own practices. Using... Read More
Format: Paperback / softback
$7599
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An accessible primer for art students or researchers new to phenomenology.

An Introduction to the Phenomenology of Performance Art by T. J. Bacon introduces the study and application of performance art through phenomenology, inviting readers to explore contemporary performance art and activate their own practices. Using queer phenomenology to unpack the importance of a multiplicity of self/s, the book teaches readers how to be academically rigorous when capturing embodied experiences.

Through approachable exercises, definitions of key phenomenological terms, and interviews and insights from some of the best examples of transgressive performance art practice, the work enriches the wider scholarship of theatre studies. Situated within contemporary phenomenological scholarship, the book will appeal to radical artists, educators, and practitioner-researchers.

Book Details

INFORMATION

ISBN: 9781789389593

Publisher: Intellect

Format: Paperback / softback

Date Published: 09 February 2024

Country: United Kingdom

Imprint: Intellect Books

Illustration: 29 Illustrations, black and white

Audience: Professional and scholarly

DIMENSIONS

Width: 170.0mm

Height: 244.0mm

Weight: 250g

Pages: 264

About the Author

Dr T. J. Bacon is an artist-philosopher whose practice, under the name TJB since 2020, extends across performance art and phenomenology. They are the founder and artistic director of Tempting Failure, a biennial of international performance art staged in the UK since 2012. As a non-binary individual, xe advocates for the radical reimagining of traditional phenomenology and the application of a queer phenomenology in their study and making of performance. Their practice began in 2001 and has focused on the perception of the body and Being through a multiplicity of Self/s in performance art since 2009.

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