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Blade Runner
Series: Philosophers on Film
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Blade Runner
$34100
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Book Hero Magic created this recommendation. While it's new and still learning, it may not be perfect - your feedback is welcome! IS THIS YOUR NEXT READ?
This volume is essential reading for students and enthusiasts of philosophy and film studies, as well as anyone interested in exploring the philosophical implications of cinematic art.
This book explores and addresses Blade Runner from a philosophical point of view. Beginning with a helpful introduction, seven specially commissioned chapters examine the key questions concerning emotions, reason and personhood. Essential reading for students interested in philosophy and film studies.
Book Hero Magic formatted this description to make it easier to read. While it's new and
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Description
Ridley Scott’s Blade Runner is widely regarded as a masterpiece of modern cinema and is regularly ranked as one of the great films of all time. Set in a dystopian future where the line between human beings and ‘replicants’ is blurred, the film raises a host of philosophical questions about what it is to be human, the possibility of moral agency and freedom in ‘created’ life forms, and the capacity of cinema to make a genuine contribution to our engagement with these kinds of questions.
This volume of specially commissioned chapters systematically explores and addresses these issues from a philosophical point of view. Beginning with a helpful introduction, the seven chapters examine the following questions:
- How is the theme of death explored in Blade Runner and with what implications for our understanding of the human condition?
- What can we learn about the relationship between emotion and reason from the depiction of the ‘replicants’ in Blade Runner?
- How are memory, empathy, and moral agency related in Blade Runner?
- How does the style and ‘mood’ of Blade Runner bear upon its thematic and philosophical significance?
- Is Blade Runner a meditation on the nature of film itself?
Including a brief biography of the director and a detailed list of references to other writings on the film, Blade Runner is essential reading for students – indeed anyone – interested in philosophy and film studies.
Contributors: Colin Allen, Peter Atterton, Amy Coplan, David Davies, Berys Gaut, Stephen Mulhall, C. D. C. Reeve.
Series: Philosophers on Film
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Blade Runner
Ridley Scott’s Blade Runner is widely regarded as a masterpiece of modern cinema and is regularly ranked as one of the great films of all time. Set in a dystopian future where the line between human beings and ‘replicants’ is blurred, the film raises a host of philosophical questions about what it is to be human, the possibility of moral...Paperback$9199Unit price /UnavailableAvailableShips in 4-6 weeks -
Blade Runner
Ridley Scott’s Blade Runner is widely regarded as a masterpiece of modern cinema and is regularly ranked as one of the great films of all time. Set in a dystopian future where the line between human beings and ‘replicants’ is blurred, the film raises a host of philosophical questions about what it is to be human, the possibility of moral...Hardback$34100Unit price /UnavailableAvailableShips in 4-6 weeks
Book Details
INFORMATION
ISBN: 9780415485845
Publisher: Taylor & Francis Ltd
Format: Hardback
Date Published: 15 April 2015
Country: United Kingdom
Imprint: Routledge
Illustration: 10 Halftones, black and white
Contributors:
- Edited by David Davies
- Edited by Amy Coplan
Audience: Tertiary education
DIMENSIONS
Width: 138.0mm
Height: 216.0mm
Weight: 317g
Pages: 158
About the Author
Amy Coplan is Associate Professor and Chair of Philosophy at California State University, Fullerton, USA. She is the co-editor, with Peter Goldie, of Empathy: Philosophical and Psychological Perspectives (2011). David Davies is Professor and Chair of Philosophy at McGill University, Canada. He is the author of Art as Performance (2004), Aesthetics and Literature (2007), and Philosophy of the Performing Arts (2011), and editor of The Thin Red Line (Routledge, 2008).
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