Niki de Saint Phalle in the 1960s
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Niki de Saint Phalle in the 1960s
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See moreA timely reassessment of the artist’s early performances and feminist sculptures, affirming their radical engagements and art historical significance
A timely reassessment of the artist’s early performances and feminist sculptures, affirming their radical engagements and art historical significance.
This volume is a focused look at two bodies of work, the Tirs (“shooting paintings”) and Nanas (“dames”), in the experimental 1960s practice of the French-American artist Niki de Saint Phalle (1930–2002). Alongside a poetic response to the work, four essays treat Saint Phalle’s oeuvre as works of radical performance and feminist art, as well as highlighting her transatlantic projects and collaborations.
A chronology with photo-documentation and known participants details for the first time all Tirs shooting events in Europe and the United States, and another timeline recaps Saint Phalle’s life in the 1960s.
Tirs were made by firing a .22 caliber rifle at the surfaces of paintings. The bullets pierced bags of pigment, aerosol paint cans, or even food embedded in dense assemblages covered in painted plaster. Saint Phalle’s increasingly liberated female figures with outstretched arms, curvaceous forms, and powerful poses developed into her well-known Nanas, an evolution contemporaneous with the rise of a Euro-American feminist movement.
Book Details
INFORMATION
ISBN: 9780300260106
Publisher: Yale University Press
Format: Hardback
Date Published: 14 September 2021
Country: United States
Imprint: Yale University Press
Illustration: 135 color + b-w illus.
Contributors:
- Contributions by Amelia Jones
- Contributions by Alena J. Williams
- Contributions by Ariana Reines
- Contributions by Kyla McDonald
- Contributions by Molly Everett
Audience: General / adult
DIMENSIONS
Width: 184.0mm
Height: 254.0mm
Weight: 250g
Pages: 248
About the Author
Jill Dawsey is curator at the Museum of Contemporary Art, San Diego. Michelle White is senior curator at the Menil Collection, Houston.
Also by Michelle White
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