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Visual Character Development in Film and Television

Your Character is Your Canvas
Book Hero Magic crafted this summary to help describe this book. While it's new and still learning, it may not be perfect - your feedback is welcome! Summary
Visual Character Development in Film and Television explores how to tell stories visually through characters by merging the insights of famous artworks with contemporary film and television techniques. It addresses what to reveal or conceal about a character in a single shot or across time, revealing how costume, makeup, production design, cinematography, and more contribute to character progression without relying solely on dialogue.
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Format: Paperback / softback
$9399
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Book Hero Magic created this recommendation. While it's new and still learning, it may not be perfect - your feedback is welcome! IS THIS YOUR NEXT READ?

This book is ideal for filmmakers, screenwriters, and students of film and television who seek to deepen their understanding of visual storytelling and character creation. It offers practical guidance for those wishing to enhance their craft by blending fine art aesthetics with modern cinematic methods.

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This book takes a unique look at visual character development in motion pictures and television by using famous works of art combined with modern works of film and television to demonstrate how to weave a visual tale.

Book Hero Magic formatted this description to make it easier to read. While it's new and still learning, it may not be perfect - your feedback is welcome! Description

This book takes a unique look at visual character development in motion pictures and television by using famous works of art combined with modern works of film and television to demonstrate how to weave a visual tale.

In a single shot or scene, what should we reveal about a character? What should we conceal? How can we show a characterโ€™s progression over time? In Visual Character Development in Film and Television, authors Michael Hanly and Elisabeth Rowney explain how to create compelling visual characters for the screen by analysing fine art aesthetics and combining them with modern cinematic techniques. Full-colour chapters cover character-driven approaches to costume design and makeup application, production design, cinematography and lighting, plot development, editing considerations, and more.

By exploring how surroundings, habits, lifestyles โ€“ even the colour of a sweater โ€“ can tell us more about a character on the screen than what can be said in dialogue alone, this book will prove a valuable resource for anyone wanting to take their filmmaking to the next level.

Book Details

INFORMATION

ISBN: 9781138186538

Publisher: Taylor & Francis Ltd

Format: Paperback / softback

Date Published: 09 August 2019

Country: United Kingdom

Imprint: Routledge

Illustration: 28 Illustrations, color

Audience: Tertiary education

DIMENSIONS

Width: 178.0mm

Height: 254.0mm

Weight: 910g

Pages: 174

About the Author

Michael Hanly received his B.A. in Cinema from Columbia College, Hollywood, CA. Building upon his degree and experience in the industry, over the past 17 years, Michael has taught Advanced Film Production, Advanced Postproduction, and Screenwriting for the Film Bachelor of Science at Full Sail University, and has earned an M.S. degree in Entertainment Business. He is currently working in the Digital Cinematography Bachelor of Science program as Course Director for classes including Fundamentals of Production, Portfolio Creation, and Film Criticism. He is COO of Silver Screen Paradise, a non-profit organization dedicated to promoting the history, art, and creation of visual storytelling through Sci-Fi, Horror, and Fantasy.

Elisabeth Rowney received her B.A. in Art History from Florida State University, and later obtained an M.A. degree in Art History from the University of South Florida. During her studies, she spent time in Paris and London and volunteered at numerous museums including Goodwood Plantation and Museum, St. Petersburg Museum of Fine Art, and the Orlando Museum of Art. After four years as an Associate Professor of Art History, Elisabeth is currently the Course Director for Art Design and Location Shooting within the Digital Cinematography Bachelor of Science program at Full Sail University. As well as writing essays about Auguste Rodin for Smarthistory and Khan Academy, Elisabeth is a published photographer and CEO of Silver Screen Paradise.

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