The Persistence of Beauty
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The Persistence of Beauty
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This significant collection of essays examines the cultural, literary, philosophical and historical representation of beauty in British, Irish and American literature. Contributors use the works of Charles Dickens, T S Eliot, W H Auden and Stephen Spender among others to explore the role of beauty and its wider implications in art and society.
This significant collection of essays examines the cultural, literary, philosophical and historical representation of beauty in British, Irish and American literature. Contributors use the works of Charles Dickens, T. S. Eliot, W. H. Auden and Stephen Spender among others to explore the role of beauty and its wider implications in art and society.
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Series: Routledge Historical Resources
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INFORMATION
ISBN: 9781848935112
Publisher: Taylor & Francis Ltd
Format: Hardback
Date Published: 01 April 2015
Country: United Kingdom
Imprint: Pickering & Chatto (Publishers) Ltd
Contributors:
- Edited by Mark Sandy
- Edited by Michael OโNeill
- Edited by Sarah Wootton
Audience: Professional and scholarly
DIMENSIONS
Width: 156.0mm
Height: 234.0mm
Weight: 430g
Pages: 208
About the Author
Michael OโNeill is Professor of English at Durham University, UK. His books include The Human Mindโs Imaginings:ใ Conflict and Achievement in Shelleyโs Poetry (1989) and, as co-editor, The Oxford Handbook of Percy Bysshe Shelley (2013), as well as three volumes of poetry, the last of which was Gangs of Shadow (2014). Mark Sandy is Reader in English Studies at Durham University, UK. He is author of Romanticism, Memory, and Mourning (2013) and Poetics of Self and Form in Keats and Shelley: Nietzschean Subjectivity and Genre (2005). Sarah Wootton is Senior Lecturer in English Studies at Durham University, UK. She has published widely on nineteenth-century literature and the visual arts, and is the author of Consuming Keats: Nineteenth-Century Representations in Art and Literature (2006) and Byronic Heroes in Nineteenth-Century Womenโs Writing and Screen Adaptation (2016).
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