Mike Hewson

The Key’s Under the Mat
Brief Description
Taking the form of a colourful and dynamic 'handbook', this multilayered publication reveals the many people, objects, and ideas that have come together to create a one-of-a-kind project: Mike Hewson's The Key's Under the Mat. Renowned for award-winning public projects that are at once artworks, play... Read More
Format: Paperback / softback
$4400
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Mike Hewson

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Taking the form of a colourful and dynamic 'handbook', this multilayered publication reveals the many people, objects, and ideas that have come together to create a one-of-a-kind project: Mike Hewson's The Key's Under the Mat.

Renowned for award-winning public projects that are at once artworks, play areas, and places to be, Mike Hewson has reimagined the Art Gallery of New South Wales' underground Nelson Packer Tank space as a combined park, playground, construction site, and commons. This anarchic and generous sculptural neighbourhood invites visitors to meet, dwell, play, make, perform, explore, and more.

Developed in the artist's dynamic Sydney workshop and constructed from thousands of salvaged objects and materials, Hewson's project is an experiment in participation, a spirited act of reclamation and regeneration, and a radical rework of the legacies of modern sculpture. It also serves as a provocation about what a truly welcoming art museum might look like. For Hewson, whose sculptural practice was catalysed by the experience of the Christchurch earthquakes, the artist is a host who welcomes guests to use the artwork as their ownβ€”'the key's under the mat, make yourself at home'.

The image-rich publication will intrigue those interested in art, architecture, play, and playgrounds. It features essays by the Art Gallery's head curator of international art, Justin Paton, and assistant curator of international contemporary art, Emily Sullivan. The voices of friends, collaborators, and admirers of Hewson's work, including author Megan Dunn and artists Agatha Gothe-Snape and Liam Gillick, among others, also contribute.

The first major monograph on Hewson's acclaimed practice, the publication includes photography of the artist's sprawling workshop, previous commissions, and new sculptures, as well as renders, sketches, notations, and playful interventions to extend its reach beyond specialists and across generations.

Book Details

INFORMATION

ISBN: 9781741741810

Publisher: Art Gallery of New South Wales

Format: Paperback / softback

Date Published: 30 October 2025

Country: Australia

Imprint: Art Gallery of New South Wales

Illustration: Full colour with over 190 images

DIMENSIONS

Spine width: 23.0mm

Width: 205.0mm

Height: 237.0mm

Weight: 622g

Pages: 168

About the Author

Justin Paton is head curator of international art at the Art Gallery of New South Wales and lead curator of Mike Hewson: The Key's Under the Mat. His projects for the Art Gallery have included Louise Bourgeois: Has the Day Invaded the Night or Has the Night Invaded the Day? (2023) and the inaugural Nelson Packer Tank commission AdriΓ‘n Villar Rojas: The End of Imagination (2022). Paton's books include McCahon country (Auckland Art Gallery Toi O Tamaki and Penguin Random House New Zealand, Auckland, 2019) and Dreamhome: stories of art and shelter (Art Gallery of New South Wales, 2023).

Emily Sullivan is assistant curator of contemporary inter-national art at the Art Gallery of New South Wales and assistant curator of Mike Hewson: The Key's Under the Mat. At the Art Gallery, she worked as assistant curator on Louise Bourgeois: Has the Day Invaded the Night or Has the Night Invaded the Day? and is currently working with ceramic sculptor Mechelle Bounpraseuth on an artist's project for 2026. Previously, she was a curator for Kaldor Public Art Projects, working on do it (australia) (2020), Making Art Public (2019) and Asad Raza (2019).

Ryan Brown is workshop manager and boilermaker with Hewson Industries for the project The Key's Under the Mat.

Megan Dunn is a curator at City Gallery Wellington Te Whare Toi and the celebrated author of Things I learned at art school (2021) and The mermaid chronicles: a midlife mer-moir (2024).

Guillermo FernΓ‘ndez-Abascal is a Spanish architect, a practice fellow at the University of Sydney, and founding partner of the office GFA2.

Agatha Gothe-Snape is a Sydney-based artist who explores the boundaries between artist, artwork and audience through performance, text, sculpture and works on paper.

Liam Gillick is a British artist based in New York and internationally recognised for his work in sculpture, video, architecture and text.

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