The Bluff

People like Dash didn't die. He was only what? Mid-thirties? Well off. Adored. By some anyway. World at his feet. Well, Myddle at his feet, which was his world.

Ruth Dawson has taken a break from big city law to fill in for a few months at a mate's small-town legal practice in Myddle. It's not what she's used to.

So when she hears the front door of her office open she's expecting a weird demand, or a question she doesn't know the answer to. But it's Bea Baulderstone's mum, worried that she hasn't seen her seventeen-year-old daughter for five days, and Constable Gazza Parker is refusing to report the girl missing.

Ruth tries to find Bea, but Myddle is a wall of indifference. Then Dash Rogers is found at his farm gate, dead from a gunshot wound, and suddenly the town is very interested in Bea's whereabouts.

An unputdownable thriller of deception and greed, The Bluff reveals an enmeshed web of family and community loyalties, set in the lush rural hinterland of east coast Australia.

'From small-town intrigue to big-time terror and suspense, The Bluff is utterly compelling.' Riley James, author of The Chilling

Praise for How to Kill a Client:

'Shocking and highly addictive, this is a very impressive novel from a talented new author.' Canberra Weekly

'Set in the cold atmosphere of the corporate world and the competitive homes of the rich, How to Kill a Client skewers the greed, misogyny and malfeasance in the corner offices of capitalism in a satisfying and twisting thriller.' Books + Publishing

'Jenkins delivers a brilliant debut novel which satisfies on many levels.' Country Style Magazine

'A fabulous page turner ... A terrifically written novel about vengeance, dominance and politics in a major law firm.' Sydney Arts Guide

'Blending a fantastic and compelling crime fiction narrative with intense looks at the lifestyle of members of a successful law firm, How to Kill a Client was a gripping and interesting read that is really worth checking out.' The Unseen Library

'Eminently readable, How to Kill a Client is an uncomfortable depiction of Big Law (minus the murder, of course). A strong debut, and hopefully more to come.' The Justinian