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Cultural Appropriation and the Arts
Series: New Directions in Aesthetics
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Check link for latest rating. ( 40 ratings, 6 reviews)
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Cultural Appropriation and the Arts
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Book Hero Magic created this recommendation. While it's new and still learning, it may not be perfect - your feedback is welcome! IS THIS YOUR NEXT READ?
This thoughtful work will appeal to readers interested in ethics, aesthetics, philosophy, and cultural studies, particularly those seeking to understand the complexities of cultural exchange in contemporary art.
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See moreNow, for the first time, a philosopher undertakes a systematic investigation of the moral and aesthetic issues to which cultural appropriation gives rise.
Book Hero Magic formatted this description to make it easier to read. While it's new and
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Description
Now, for the first time, a philosopher undertakes a systematic investigation of the moral and aesthetic issues to which cultural appropriation gives rise.
Cultural Appropriation and the Arts is a pervasive feature of the contemporary world. From the Parthenon Marbles remaining in London to white musicians like Bix Beiderbecke and Eric Clapton appropriating musical styles from African-American culture, these issues are explored in depth.
Young offers the first systematic philosophical investigation of the moral and aesthetic issues to which cultural appropriation gives rise. The book tackles the thorny issues arising from the clash and integration of cultures and their artefacts.
Questions considered include: "Can cultural appropriation result in the production of aesthetically successful works of art?" and "Is cultural appropriation in the arts morally objectionable?"
This work is part of the highly regarded New Directions in Aesthetics series.
Series: New Directions in Aesthetics
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Art as Performance
In this wide-ranging and challenging book, David Davies elaborates and defends a broad conceptual framework for thinking about the arts that reveals important continuities and discontinuities between traditional and modern art, and between different artistic disciplines. The centerpiece is a novel and provocative view about the kinds of things that artworks are, with important consequences for how they are to...Paperback$9099Unit price /UnavailableAvailableShips in 3-4 weeks -
Cultural Appropriation and the Arts
Now, for the first time, a philosopher undertakes a systematic investigation of the moral and aesthetic issues to which cultural appropriation gives rise. Cultural Appropriation and the Arts is a pervasive feature of the contemporary world. From the Parthenon Marbles remaining in London to white musicians like Bix Beiderbecke and Eric Clapton appropriating musical styles from African-American culture, these issues...Paperback$6899Unit price /UnavailableAvailableShips in 3-4 weeks -
The Art of Comics
The Art of Comics: A Philosophical Introduction is the first-ever collection of essays published in English devoted to the philosophical questions raised by the art of comics. The volume, which includes a preface by the renowned comics author Warren Ellis, contains ten cutting-edge essays on a range of philosophical topics raised by comics and graphic novels. These include the definition...Paperback$4999Unit price /UnavailableAvailableShips in 3-4 weeks
Book Hero Magic summarised reviews for this book. While it's new and still learning, it may not be perfect - your feedback is welcome! HOW HAS THIS BEEN REVIEWED?
“Cultural Appropriation and the Arts, by James O. Young, provides an analytical, comprehensive overview of ethical and aesthetic issues concerning cultural appropriation.” (Journal of Cult Economy)
Book Details
INFORMATION
ISBN: 9781444332711
Publisher: John Wiley and Sons Ltd
Format: Paperback / softback
Date Published: 15 January 2010
Country: United Kingdom
Imprint: Wiley-Blackwell
Audience: Professional and scholarly
DIMENSIONS
Spine width: 16.0mm
Width: 152.0mm
Height: 230.0mm
Weight: 299g
Pages: 192
About the Author
James O. Young is Professor and Head of the Department of Philosophy, University of Victoria. He has published extensively on philosophy of language and philosophy of art. His previous books include Global Anti-realism (1995) and Art and Knowledge (2001), and he is editor (with Conrad Brunk) of The Ethics of Cultural Appropriation (Wiley-Blackwell, 2009).
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