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Theatre and its Audiences
Reimagining the Relationship in Times of Crisis
Brief Description
Written in the aftermath of the Covid crisis, this open access book brings the past, present and future of theatre-going together as it explores the nature of the relationships between performance practitioners, arts organisations and their audiences. Proposing that the pandemic forced a re-evaluation of what...
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Theatre and its Audiences
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A critical interrogation of the nature of the relationship between performance and its audiences, bringing the distant past, immediate present and imminent future together to question what we think we know about where, when and how we gather to watch theatre and performance.
A critical interrogation of the nature of the relationship between performance and its audiences, bringing the distant past, immediate present and imminent future together to question what we think we know about where, when and how we gather to watch theatre and performance.
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Description
Written in the aftermath of the Covid crisis, this open access book brings the past, present and future of theatre-going together as it explores the nature of the relationships between performance practitioners, arts organisations and their audiences.
Proposing that the pandemic forced a re-evaluation of what it means to be an audience, and combining historical and current cultural sector perspectives, the book reflects on how historical conventions have conditioned present day expectations of theatre-going in the UK. Helen Freshwater examines the ways in which developments in technology, architecture and forms of communication have influenced what is expected by and of audiences, reflecting changes in theatre’s cultural status and place in our lives.
Drawing on the first-hand experiences of festival director and performance practitioner Kate Craddock, it also contends that practitioners now need to turn their attention to care, access and sustainability, arguing that the pandemic taught us, above all, that it is possible to do things differently. Part vision, part provocation, part critical interrogation, Theatre and its Audiences offers an insightful appraisal of past norms and assumptions to set out a bold argument about where we should go from here.
The ebook editions of this book are available open access under a CC BY-NC-ND 4.0 licence on bloomsburycollections.com. Open access was funded by Newcastle University.
Series: Methuen Drama Agitations: Text, Politics and Performances
View all-
Theatre and its Audiences
Written in the aftermath of the Covid crisis, this open access book brings the past, present and future of theatre-going together as it explores the nature of the relationships between performance practitioners, arts organisations and their audiences. Proposing that the pandemic forced a re-evaluation of what it means to be an audience, and combining historical and current cultural sector perspectives,...Paperback$4999Unit price /UnavailableAvailableShips in 4-6 weeks -
Performing the Radical
This volume redefines the radical by exploring a range of contemporary theatre and performance produced in response to the politico-cultural climate of 21st-century India. Offering a critique of dominant power structures in India, this book showcases how the rise in censorship and intolerance of dissent has brought forth new forms of political and aesthetic radicalism. Theatre has found many ways...Hardback$35800Unit price /UnavailableAvailableShips in 2-3 weeks
Book Details
INFORMATION
ISBN: 9781350339170
Publisher: Bloomsbury Publishing PLC
Format: Paperback / softback
Date Published: 25 January 2024
Country: United Kingdom
Imprint: Methuen Drama
Contributors:
- Series edited by Anja Hartl
- Series edited by William C. Boles
Audience: Tertiary education
DIMENSIONS
Spine width: 18.0mm
Width: 136.0mm
Height: 214.0mm
Weight: 300g
Pages: 224
About the Author
Kate Craddock is the Founder and Festival Director of GIFT: Gateshead International Festival of Theatre, UK, an annual artist-led festival celebrating contemporary theatre. Since 2005, Kate has worked across academic roles and cultural sector contexts, and is regularly invited to speak as a panellist at international festivals. Kate was recipient of the Theatre Fellowship with the Clore Cultural Leadership Programme 2018/19.
Helen Freshwater is Reader in Theatre & Performance at Newcastle University, UK. She is the author of Theatre & Audience (Methuen Drama, 2009) and Theatre Censorship in Britain: Silencing, Censure and Suppression (2009). Between 2017-2020 she was Co-I on ‘Understanding Audiences for the Contemporary Arts’, an AHRC-funded project.
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