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Old Mistresses
Women, Art and Ideology
Series: Bloomsbury Revelations
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Old Mistresses
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Book Hero Magic created this recommendation. While it's new and still learning, it may not be perfect - your feedback is welcome! IS THIS YOUR NEXT READ?
Ideal for readers interested in feminist theory, art history, cultural studies, and gender politics, as well as scholars and students seeking to explore the intersection of gender and visual culture.
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Description
Why is everything that compromises greatness in art coded as feminine? Has the feminist critique of Art History yet effected real change?
With a new preface by Griselda Pollock, this edition of a truly groundbreaking book offers a radical challenge to a women-free Art History.
Parker and Pollock's critique of Art History's sexism leads to expanded, inclusive readings of the art of the past. They demonstrate how the changing historical social realities of gender relations and women artists' translation of gendered conditions into their works provide keys to novel understandings of why we might study the art of the past. They go further to show how such knowledge enables us to understand art by contemporary artists who are women and can contribute to the changing self-perception and creative work of artists today.
In March 2020, Griselda Pollock was awarded the Holberg Prize in recognition of her outstanding contribution to research and her influence on thinking on gender, ideology, art and visual culture worldwide for over 40 years. Old Mistresses was her first major scholarly publication which has become a classic work of feminist art history.
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Book Details
INFORMATION
ISBN: 9781350149175
Publisher: Bloomsbury Publishing PLC
Format: Paperback / softback
Date Published: 01 October 2020
Country: United Kingdom
Imprint: Bloomsbury Academic
Illustration: many bw illus
Audience: Tertiary education
DIMENSIONS
Spine width: 16.0mm
Width: 136.0mm
Height: 216.0mm
Weight: 320g
Pages: 256
About the Author
Rozsika Parker (1945-2010) was a writer and critic in Art History & Psychoanalysis and a psychotherapist. Her books include Framing Feminism: Art and the Women's Movement 1970-1985 (with Griselda Pollock), Torn in Two: The Experience of Maternal Ambivalence and The Subversive Stitch: Embroidery and the Making of the Feminine (I.B.Tauris new edition, 2010).
Griselda Pollock is Professor of Social and Critical Histories of Art and Director of the Centre for Cultural Analysis, Theory & History, University of Leeds, UK. Her books include Vision and Difference: Feminism, Femininity and Histories of Art and Encounters in the Virtual Feminist Museum (2007). She is editor of Conceptual Odysseys: Passages to Cultural Analysis (2009) and, with Antony Bryant, of Digital and Other Virtualities (2010, both I.B.Tauris).
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