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The Language of Film

Book Hero Magic crafted this summary to help describe this book. While it's new and still learning, it may not be perfect - your feedback is welcome! Summary
The Language of Film offers a comprehensive guide to the essential building blocks of film, illustrating how filmmakers influence audience perception and emotions. It covers fundamental theories like film semiotics, narrative structures, ideology, and genre, while examining technical elements such as shot size, camera movement, editing, colour, and sound. Enriched with case studies, discussion questions, practical tips, and exercises, this edition is ideal for aspiring filmmakers seeking to understand the cinematic image.
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Format: Paperback / softback
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Book Hero Magic created this recommendation. While it's new and still learning, it may not be perfect - your feedback is welcome! IS THIS YOUR NEXT READ?

This book is perfect for aspiring filmmakers, film students, and anyone interested in understanding how film communicates meaning and emotion. Its approachable style suits beginners looking to grasp both theoretical and practical aspects of filmmaking.

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Beautifully illustrated with stills from feature films and short films, The Language of Film explores the means by which film communicates meaning to its audience.

Beautifully illustrated with stills from feature films and short films, The Language of Film explores the means by which film communicates meaning to its audience.

Book Hero Magic formatted this description to make it easier to read. While it's new and still learning, it may not be perfect - your feedback is welcome! Description

An effective filmmaker needs to have a good understanding of how film language works, and more importantly, how to actively influence an audience’s thoughts and feelings and guide their gaze around the screen.

Packed with examples from classic and contemporary cinema, The Language of Film reveals the essential building blocks of film and explains how the screen communicates meaning to its audience. You will learn about fundamental theories and concepts, including film semiotics, narrative structures, ideology, and genre, as well as how elements such as shot size, camera movement, editing technique, and colour come together to create the cinematic image.

With insightful case studies and discussion questions, dozens of practical tips and exercises, and a new chapter on film sound, this new edition of The Language of Film is a must-have guide for aspiring filmmakers.

Series: Basics Filmmaking

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Book Hero Magic summarised reviews for this book. While it's new and still learning, it may not be perfect - your feedback is welcome! HOW HAS THIS BEEN REVIEWED?

The Language of Film is praised for its clear, engaging, and accessible approach to film theory and practice. Reviewers highlight its succinct and informative style that makes complex concepts digestible for beginners. The inclusion of case studies and practical exercises enhances its value, making it relevant and enjoyable for novice filmmakers and students alike, with a well-presented layout that facilitates learning.

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Book Details

INFORMATION

ISBN: 9781501347818

Publisher: Bloomsbury Publishing Plc

Format: Paperback / softback

Date Published: 23 August 2018

Country: United States

Imprint: Bloomsbury Academic

Illustration: 75 color illus

Audience: General / adult, Tertiary education

DIMENSIONS

Spine width: 18.0mm

Width: 160.0mm

Height: 230.0mm

Weight: 560g

Pages: 216

About the Author

John Marland is Senior Lecturer in Film and Literature at York St John University, UK, where he has both taught and developed undergraduate courses in Scriptwriting.

Steven Rawle is a Senior Lecturer in Film Studies at York St. John University, UK, where he teaches film form and the politics of global cultural production at undergraduate and postgraduate levels.

Robert Edgar is a Senior Lecturer in the Faculty of Arts at York St John University, UK, where he teaches creative writing and film and television. Publications include Screenwriting (2009) and Directing Fiction (2010). Research projects include work on Hitchcock and Herrmann, contemporary television and Top Gear. Robert was a co-editor of The Music Documentary: Acid Rock to Electropop (2013).

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