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The Avalanches' Since I Left You

Series: 33 1/3 Oceania
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Brief Description
Since I Left You captures the fraught moment in popular music history as reflected in and anticipated by the debut studio album from electronic music group The Avalanches. Since I Left You holds a reputation amongst its advocates that exceeds nearly all of its closest peers.... Read More
Format: Paperback / softback
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Since I Left You captures the fraught moment in popular music history as reflected in and anticipated by the debut studio album from electronic music group The Avalanches.

Since I Left You holds a reputation amongst its advocates that exceeds nearly all of its closest peers. Despite the inordinate amount of attention this album has received, it has never been thoroughly examined in context. While repeatedly celebrated for its artistry, technical skill, and emotional resonanceβ€”particularly its sample-based material and then-cutting-edge technological feats within the electronic music genreβ€”it has never been definitively placed in the world that produced it.

Charles Fairchild studies this album in a way no one else has. Since I Left You is placed in its historical, technological, and cultural contexts, examined for the social and aesthetic attributes it was said to possess at the time of its release. There is a focus on the clear set of aesthetic aspirations that guided the album's creators and how those creators pasted together the fragments of many sound worlds.

Series: 33 1/3 Oceania

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Book Details

INFORMATION

ISBN: 9798765115510

Publisher: Bloomsbury Publishing Plc

Format: Paperback / softback

Date Published: 09 January 2025

Country: United States

Imprint: Bloomsbury Academic

Audience: Tertiary education

DIMENSIONS

Spine width: 12.0mm

Width: 126.0mm

Height: 194.0mm

Weight: 146g

Pages: 136

About the Author

Charles Fairchild is Associate Professor of Popular Music at the University of Sydney, Australia, and the author of Musician in the Museum (Bloomsbury, 2021), Sounds, Screens, and Speakers (Bloomsbury, 2019), Danger Mouse’s The Grey Album (Bloomsbury, 2014), and Music, Radio and the Public Sphere (2012). His work focuses on cultural mediation in the music industry, focusing especially on the period from 1975 to the present, examining how intermediaries within different kinds of institutions shape the ways people consume and make meaning from music.

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