The Female Gaze in Art and Photography
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The Female Gaze in Art and Photography
Book Hero Magic created this recommendation. While it's new and still learning, it may not be perfect - your feedback is welcome! IS THIS YOUR NEXT READ?
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See moreThe Female Gazein Art and Photography offers an empathetic re-presentation of women, men and those identifying as LGBQTIA+
Historically, male artists have re-presented women through their eyes. The Female Gaze in Art and Photography redresses this imbalance, looking at art through women’s eyes. It shines a light on the work of twenty contemporary women artists and photographers from Africa, Asia, Australia, Europe, the Middle East, and the United States of America, placing these creatives and their works centre stage.
The female gaze is not singular; it is multifarious, often based on the creative’s lived experience. It positions subjects as whole people and not objects. The female gaze reclaims women’s bodies as repositories for multiple meanings. It emphasises the emotions of and intimacy between creator and subject, who are at times the same person.
The Female Gaze in Art and Photography offers an empathetic re-presentation of women, men, and those identifying as LGBQTIA+. The art and photography covered is also thematic, addressing issues affecting our lives today: love and loss; lifecycle of women; motherhood; gender, sexual and racial identity; the fractured self; autonomy and agency; strength, resilience and vulnerability; relationships; racism; marginalisation and diversity; feminism; migration and dispossession; and climate change among others.
The Female Gaze sits alongside and is a valuable addition to Charlotte Jansen’s Girl on Girl and Katy Hessel’s The Story of Art Without Men, showcasing the talent of women creatives in today’s world of art and photography.
Book Hero Magic summarised reviews for this book. While it's new and still learning, it may not be perfect - your feedback is welcome! HOW HAS THIS BEEN REVIEWED?
The Sheila Foundation emphasises this book’s vital role in addressing gender bias in art history by spotlighting the political and social relevance of women artists' perspectives today. Kelly Gellatly notes its contribution to envisioning a world where the female gaze is honoured, embracing difference and diversity. Professor Bar praises it as an insightful, accessible, and beautifully illustrated celebration of difference made visible in art and photography.
Book Details
INFORMATION
ISBN: 9781743799925
Publisher: Hardie Grant Books
Format: Hardback
Date Published: 01 November 2023
Country: Australia
Imprint: Hardie Grant Books
Audience: General / adult
DIMENSIONS
Width: 240.0mm
Height: 280.0mm
Weight: 1553g
Pages: 256
Collections
About the Author
Anita Selzer is an acclaimed author of thirteen books in adult and children’s non-fiction. Her interest is in women, gender and culture, and history. She has earned a BA, Dip Ed, Master of Education, PhD in Education and Grad Dip in Women’s Studies at universities in Melbourne, and was awarded the Peter Fensham Education Scholarship 1989 at Monash University for her PhD work on gender, history and education. She was also the recipient of an Australian Postgraduate Award (APA, now renamed RTP – research training program) and the Postgraduate Publication Award for a paper based on her PhD work.
Selzer has been a lecturer in politics and English and worked in women’s affairs in the Victorian Premier’s Department as an administrative officer. She has also been a book reviewer for Cambridge University Press and the peer-reviewed journal Gender and Education.
Anita Selzer’s young adult publication, I am Sasha (Penguin, 2018), was shortlisted for the NSW Premier’s History Awards in 2019, and is currently being taught in schools. It is about her father, who assumed a female identity and lived that identity as a teenage girl during the Holocaust to survive. A 40-minute movie, Sasha’s Game, based on this book is currently being produced.
Among her other publications, Selzer wrote a series of books on Australian Sportswomen (Macmillan Education, 2000), which focused largely on Olympian athletes; The Armytages of Como (Halstead Press and National Trust of Australia: Victoria, 2003); Governors’ Wives in Colonial Australia (National Library of Australia, 2002); and Educating Women in Australia from the Convict Days to the 1920s (Cambridge University Press, 1994). Her recent publication are I am Woman (Shawline, 2020), a memoir focusing on gender issues, and Reclaiming Beauty (Shawline, 2022), which has been nominated for the Elizabeth and Colin Roderick award for 2023.
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