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Japanese Woodblock Prints

Artists, Publishers and Masterworks: 1680 - 1900
Book Hero Magic crafted this summary to help describe this book. While it's new and still learning, it may not be perfect - your feedback is welcome! Summary
Japanese Woodblock Prints by Andreas Marks offers a comprehensive exploration of the history and artistry behind this iconic Japanese art form. The book delves into the development of woodblock prints from the Edo period to modern times, examining the cultural and historical influences that shaped their evolution. It features vivid images and insightful commentary, making it a valuable resource for enthusiasts and novices alike interested in Japanese art and culture.
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Format: Hardback
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Book Hero Magic created this recommendation. While it's new and still learning, it may not be perfect - your feedback is welcome! IS THIS YOUR NEXT READ?

You might enjoy this book if you're fascinated by the world of traditional Japanese art and appreciate the intricate beauty and history behind woodblock prints. It offers a visually stunning journey through cultural and artistic evolution, perfect for anyone interested in Asian art, history, or collecting prints.

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Japanese Woodblock Prints

Covering the period from the beginning of the Japanese woodblock print in the 1680s until the year 1900, "Japanese Woodblock Prints" provides a detailed survey of all the major artists, along with the images on which their fame rests.

Book Hero Magic formatted this description to make it easier to read. While it's new and still learning, it may not be perfect - your feedback is welcome! Description

Japanese Woodblock Prints, or ukiyo-e, are the most recognisable Japanese art form. Their massive popularity has spread from Japan to be embraced by a worldwide audience. Covering the period from the beginning of the Japanese woodblock print in the 1680s until the year 1900, Japanese Woodblock Prints provides a detailed survey of all the famous ukiyo-e artists, along with over 500 full colour prints.

Unlike previous examinations of this art form, Japanese Woodblock Prints includes detailed histories of the publishers of woodblock printsβ€”who were often the driving force determining which prints, and therefore which artists, would make it into mass circulation for a chance at critical and popular success. Invaluable as a guide for ukiyo-e enthusiasts looking for detailed information about their favourite Japanese woodblock print artists and prints, it is also an ideal introduction for newcomers to the world of the woodblock print.

This lavishly illustrated book will be a valued addition to the libraries of scholars, as well as the general art enthusiast.

Book Hero Magic summarised reviews for this book. While it's new and still learning, it may not be perfect - your feedback is welcome! HOW HAS THIS BEEN REVIEWED?

Japanese Woodblock Prints by Andreas Marks is celebrated for its extensive coverage of artists and publishers from the 1660s to the 1940s. It is praised for its meticulous research and comprehensive bibliography, highlighting its scholarly excellence. The clear and informative text is both valuable for researchers and accessible to general readers, complemented by remarkable production quality and an affordable price. The book's rich collection of 523 prints vividly portrays a Japan filled with dynamic stories and vibrant imagery, appealing to both scholars and casual readers.

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Book Details

INFORMATION

ISBN: 9784805310557

Publisher: Tuttle Publishing

Format: Hardback

Date Published: 20 May 2010

Country: United States

Imprint: Tuttle Publishing

Illustration: 523 full-color illus

Contributors:

  • Foreword by Stephen Addiss

Audience: General / adult

DIMENSIONS

Width: 229.0mm

Height: 305.0mm

Weight: 2126g

Pages: 336

About the Author

Andreas Marks is the Director and Chief Curator of the Clark Center for Japanese Art and Culture. He has a master's degree in East Asian art history from the University of Bonn, Germany, and a Ph.D. in Japanese Studies (on a thesis on nineteenth-century actor prints) from Leiden University, the Netherlands. As a specialist in Japanese prints, he is an advisor to the San Diego Museum of Art. He has published widely in Europe, the United States, and Japan, and curated several exhibitions on various aspects of Japanese art. Dr. Stephen Addiss is Professor of Art at the University of Richmond. He is a composer, musician, poet, painter and Japanese art historian, and is the recipient of four grants from the National Endowment for the Humanities and one from the National Endowment for the Arts. He has published thirty-six books or exhibition catalogs, including Old Taoist: The Life, Art and Poetry of Kodojin; The Resonance of the Qin in Far Eastern Art; and The Art of 20th Century Zen.

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