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The Integrated Actor
Imagination, Body, Breath, Voice
Brief Description
Combining work on physical and vocal embodiment with exercises in imagination and interpretation, this book facilitates a fuller, freer and more complete use of the self when it comes to creating a role. Building on established methodologies and existing research, such as the Alexander Technique, Estill...
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Format: Paperback / softback
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The Integrated Actor
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See moreCombining work on physical and vocal embodiment with exercises in imagination and interpretation, this book facilitates a fuller, freer and more complete use of the self when it comes to creating a role.
Combining work on physical and vocal embodiment with exercises in imagination and interpretation, this book facilitates a fuller, freer and more complete use of the self when it comes to creating a role.
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Description
Combining work on physical and vocal embodiment with exercises in imagination and interpretation, this book facilitates a fuller, freer and more complete use of the self when it comes to creating a role.
Building on established methodologies and existing research, such as the Alexander Technique, Estill Voice Craft, polyvagal theory and works by major practitioners – including Michael Langham, Niamh Dowling, Glen Park, Carolyn Serota, Sally Grace, Patsy Rodenburg, Cicely Berry, Kristin Linklater and Josephine Estill – The Integrated Actor offers a holistic approach to voice work and acting.
Book Details
INFORMATION
ISBN: 9781350441323
Publisher: Bloomsbury Publishing PLC
Format: Paperback / softback
Date Published: 30 April 2026
Country: United Kingdom
Imprint: Methuen Drama
Illustration: 3 bw illus
Audience: Tertiary education
DIMENSIONS
Spine width: 24.0mm
Width: 156.0mm
Height: 232.0mm
Weight: 320g
Pages: 256
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About the Author
Alex Taylor teaches at the Birmingham School of Acting, UK. Previously, he was Head of Voice at Rose Bruford, UK; Director of the School of Theatre at Manchester Metropolitan University, UK; one of the Master Teachers at the Juilliard School, US; and Head of Voice and Movement at the Hong Kong Academy for Performing Arts. He has directed productions for the National Theatre of Korea and the Hong Kong Academy for Performing Arts, and led masterclasses in acting and voice at the Shanghai Theatre Academy and the University of Korea. He has also worked at the RSC as a voice coach on a number of productions.
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