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Sight Lines

Women and Art in Aotearoa
Brief Description
From ancient whatu kakahu to contemporary installation art, Frances Hodgkins to Merata Mita, Fiona Clark to Mataaho Collective, Sight Lines tells the story of art made by women in Aotearoa. Gathered here are painters, photographers, performers, sculptors, weavers, textile artists, poets and activists. They have worked... Read More
Format: Hardback
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Sight Lines

Extraordinary women, groundbreaking art.

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From ancient whatu kakahu to contemporary installation art, Frances Hodgkins to Merata Mita, Fiona Clark to Mataaho Collective, Sight Lines tells the story of art made by women in Aotearoa. Gathered here are painters, photographers, performers, sculptors, weavers, textile artists, poets and activists.

They have worked individually, collaboratively and in collectives. They have defied restrictive definitions of what art should be and what it can do. Their stories and their work enable us to ask new questions of art history in Aotearoa. How have tangata whenua and tangata tiriti artists negotiated their relationships to each other, and to this place? How have women used their art-making to explore their relationships to land and water, family and community, politics and the nation?

With more than 150 striking images and essays by Chloe Cull, Ngarino Ellis, Ioana Gordon-Smith, Rangimarie Sophie Jolley, Lana Lopesi, Hanahiva Rose, Huhana Smith and Megan Tamati-Quennell alongside the author, Sight Lines is a bold new account of art-making in Aotearoa through 35 extraordinary women artists.

Book Details

INFORMATION

ISBN: 9781869409982

Publisher: Auckland University Press

Format: Hardback

Date Published: 11 July 2024

Country: New Zealand

Imprint: Auckland University Press

Audience: General / adult

DIMENSIONS

Spine width: 39.0mm

Width: 180.0mm

Height: 235.0mm

Weight: 0g

Pages: 444

About the Author

Dr Kirsty Baker is an art historian, curator and writer based in Te Whanganui-a-Tara where she currently works as a curator at City Gallery Wellington Te Whare Toi. She completed her PhD in art history at Victoria University of Wellingtonβ€”Te Herenga Waka, where her thesis β€˜Constituting the β€œWoman Artist”: A Feminist Genealogy of Aotearoa New Zealand’s Art History 1928–1989’ was awarded a place on the prestigious Doctoral Dean’s List for 2020. Alongside this academic research, Baker’s writing on contemporary women artists in Aotearoa has appeared in a wide range of publications, including Art New Zealand, The Pantograph Punch, Artist Profile, Femisphere and Art and Australia. She has also written essays on women artists and feminist art histories for a range of publications including Flora: Celebrating Our Botanical World (Te Papa Press, 2023), The Dialogics of Contemporary Art: Painting Politics (Kerber Verlag, 2019), Embodied Knowledge / Can Tame Anything (The Dowse Art Museum, 2019), Jacqueline Fahey’s Suburbanites (New Zealand Portrait Gallery, 2019) and All Lines Converge: Some Lines Through the Archive (Govett-Brewster Art Gallery, 2017).

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